This chapter contains sections titled: Repetition Fear and Trembling More Upbuilding Discourses of 1843 further reading.

The perfect books for the true book lover, Penguin's Great Ideas series features twelve more groundbreaking works by some of history's most prodigious thinkers. Each volume is beautifully packaged with a unique type-driven design that highlights the bookmaker's art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped our world. Regarded as the father of Existentialism, Kierkegaard transformed philosophy with his conviction (...) that we must all create our own nature; in this great work of religious anxiety, he argues that a true understanding of God can only be attained by making a personal "leap of faith.". (shrink)

This newly translated Fear and Trembling, a founding document of modern philosophy and existentialism, could not be more apt for these perilous times. First published in 1843 under the pseudonym "Johannes de silentio" (John of Silence), Søren Kierkegaard's richly resonant Fear and Trembling has for generations stood as a pivotal text in the history of moral philosophy, inspiring such artistic and philosophical luminaries as Edvard Munch, W. H. Auden, Walter Benjamin, and existentialist Jean-Paul Sartre. Retelling the (...) biblical story of the binding of Isaac, Kierkegaard expounds on the ordeal of Abraham, who was commanded to sacrifice his son in an exceptional test of faith. Disgusted at the self-certainty of his own age, Kierkegaard investigates the paradox underlying Abraham's decision to allow his duty to God to take precedence over his duties to his family. Now, in a new era of immense uncertainty and dislocation, renowned Kierkegaard scholar Bruce H. Kirmmse, in his accessible translation and engaging introduction, eloquently brings this classic work to a new generation of readers, demonstrating Kierkegaard's enduring power to illuminate the terrible wonder of faith. (shrink)

The infamous and controversial work that made a lasting impression on both modern Protestant theology and existentialist philosophers such as Sartre and Camus Writing under the pseudonym of "Johannes de silentio," Kierkegaard expounds his personal view of religion through a discussion of the scene in Genesis in which Abraham prepares to sacrifice his son Isaac at God's command. Believing Abraham's unreserved obedience to be the essential leap of faith needed to make a full commitment to his religion, Kierkegaard himself made (...) great sacrifices in order to dedicate his life entirely to his philosophy and to God. The conviction shown in this religious polemic—that a man can have an exceptional mission in life—informed all Kierkegaard's later writings. His "teleological suspension of the ethical" challenged the contemporary views of Hegel's universal moral system, and was also hugely influential for both protestant theology and the existentialist movement. Alastair Hannay's introduction evaluates Kierkegaard's philosophy and the ways in which it conflicted with more accepted contemporary views. This edition also includes detailed notes to complement this groundbreaking analysis of religion, and a new chronology. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. (shrink)

When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that ...

In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist ethics and (...) immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text. (shrink)

I focus here on the teleological suspension of the ethical as it appears in Fear and Trembling. A common reading of Fear and Trembling is that it explores whether there are religious reasons for action that settle that one must do an action even when all the moral reasons for action tell against doing it. This interpretation has been contested. But I defend it by showing how the explicit teleological suspension of the ethical mirrors implicit teleological (...) suspensions of the epistemological and prudential, and by articulating how it might be necessary for God to suspend the ethical in order to forgive us for our wrongdoings to others. I also discuss whether God’s commands are implicitly conditional, whether religious reasons to act, believe, and forgive are in each case grounded in divine commands, and what role love plays in each type of teleological suspension. (shrink)

It has long been recognized that Soren Kierkegaard's Fear and Trembling is a cryptogram. Encoded within a series of reflections and commentaries on Genesis 22 is a deeper message directed at a reader or readers presumably capable of deciphering the hidden meaning. That this is true is suggested by the book's epigraph: ‘What Tarquinius Superbus said in the garden by means of the poppies, the son understood but the messenger did not.’.

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.

Written by an international team of contributors, this book offers a fresh set of interpretations of Fear and Trembling, which remains Kierkegaard's most influential and popular book. The chapters provide incisive accounts of the psychological and epistemological presuppositions of Fear and Trembling; of religious experience and the existential dimension of faith; of Kierkegaard's understanding of the relationship between faith and knowledge; of the purported and real conflicts between ethics and religion; of Kierkegaard's interpretation of the value (...) of hope, trust, love and other virtues; of Kierkegaard's debts to German idealism and Protestant theology; and of his seminal contributions to the fields of psychology, existential phenomenology and literary theory. This volume will be of great interest to scholars and upper-level students of Kierkegaard studies, the history of philosophy, theology and religious studies. (shrink)

In this study I provide a thematic comparison of Søren Kierkegaard’s Fear and Trembling and Immanuel Kant’s Groundwork of the Metaphysics of Morals to suggest that the representation of the ethical in Fear and Trembling is transparently Kantian. At times I draw on Kant’s Religion Within the Boundaries of Mere Reason, Conflict of the Faculties, and The Metaphysics of Morals to offer a comprehensive account of Kant’s ethical theory. Both philosophers hold profoundly important positions within the (...) milieu of ethics, however they have always shared a tenuous and at times negative relationship. In this study, I challenge such commentators by showing that when the figure of Abraham is taken typologically and excluded from the text, what emerges from Fear and Trembling is a Kantian based ethics. I argue that a comparative reading of Kant’s Groundwork and Kierkegaard’s Fear and Trembling reveals that Kierkegaard’s thought gravitates towards three central principles of Kant’s categorical imperative, as well sharing some similarities with Kant’s understanding of duty. (shrink)

In his posthumously published Journals and Papers,, Kierkegaard boldly claimed, "Oh, once I am dead, Fear and Trembling alone will be enough for an imperishable name as an author. Then it will be read, translated into foreign languages as well. The reader will almost shrink from the frightful pathos in the book." Certainly, Fear and Trembling has been translated into foreign languages, and its fame has ensured Kierkegaard's place in the pantheon of Western philosophy. Today, however, (...) most shrink from the book not because of its frightful pathos but because of its fearsome impenetrability. In this first volume of a Reading Kierkegaard miniseries, Martens carefully unfolds the form and content of Kierkegaard's celebrated pseudonymous text, guiding and inviting the reader to embrace the challenge of wrestling with it to the end. Throughout, Martens demonstrates that Fear and Trembling is not merely a book that contains frightful pathos; it is also an entree into Kierkegaard's vibrant and polyphonic corpus that is nearly as restless as the faith it commends. (Publisher). (shrink)

It can be unnerving to read and teach Kierkegaard’s Fear and Trembling in a world plagued by religious violence. The book’s praise of Abraham as the “father of faith” precisely for his willingness to kill his son Isaac, combined with its suggestion that through faith one could “suspend” ethics, seems to provide a defense and even an endorsement of religiously motivated violence. In order to see why this is a misreading of the text, we will need to go (...) beyond arguments based on the book’s pseudonymous or symbolic nature. Only by considering in detail what Fear and Trembling says about Abraham’s faith can we see that, far from endorsing religious violence, the book provides an insightful contrast between true Abrahamic faith and the orientation of hatred, bigotry, ideological blindness behind today’s religious violence. (shrink)

This article interrogates the concepts of faith, the ethical, and tragedy in Fear and Trembling by examining Johannes De Silentio’s allusions to heroic characters. I argue that these heroes are emblematic of faith or tragedy through their orientation to a promise in their respective mythic narratives. Abraham’s faith in the covenant with God commits him to the reconcilability of virtue and the good life, while the tragic heroes’ commitments to the ethical reveal their inability to transcend the (tragic) (...) presumption that virtue and the good life are ultimately incommensurable. I conclude by sketching a politics corresponding to De Silentio’s conception of tragedy. (shrink)

Exceptionally Common Courage provides an extended, close reading of Fear and Trembling, Kierkegaard's well-known, pseudonymous book about Abraham's sacrifice of Isaac. It then fits this (in)famous work into the broader and puzzling corpus that includes both other pseudonymous works and signed discourses by this same mercurial author. Though not the first to tackle Kierkegaard from the direction of either a single work or the whole authorship, this two-in-one book relates whole and part to whole and part in a (...) way that reads like a genuine musical counterpoint. The scholarly debates inevitably generated by any treatment of Fear and Trembling are here addressed in ways that arise from a detailed interpretation of the text itself without letting secondary material interrupt the primary train of thought. Along the way, Kierkegaard's ideas are brought into conversation with a much broader than usual cannon of interlocutors, including such figures as Elizabeth Stuart Phelps and James Baldwin, R.H. Tawney and Wendell Berry. And by the end, the complex movement of the entire authorship becomes audible above the various isolated and doctrinaire notes typically highlighted in comparable studies. The recurring melody is about existential courage, about the risk of emotionally investing in earthly goods against the ambiguous inevitability of their loss. Woven throughout Kierkegaard's so-called esthetic and religious writings, this common task of facing threats to the integral meaning of human experience stands out in arresting color. As the chapters unfold, this understanding of faith as a form of courage provides not just direction, but a topographical score for what is originally a highly indirect and elusive textual arrangement. (shrink)

Now recognized as one of the nineteenth century's leading psychologists and philosophers, Kierkegaard was among other things the harbinger of exisentialisim. In Fear and Trembling he explores the psychology of religion, addressing the question 'What is Faith?' in terms of the emotional and psychological relationship between the individual and God. But this difficult question is addressed in the most vivid terms, as Kierkegaard explores different ways of interpreting the ancient story of Abraham and Isaac to make his point. (...) Søren Kierkegaard not only ­trans­formed Protestant theology but also anticipated twentieth-century existentialism and provided it with many of its motifs. Fear and Trembling and The Book on Adler–addressed to a general audience–have the imaginative excitement and intense personal appeal of the greatest literature. Only Plato and Nietzsche have matched Kierkegaard’s ability to give ideas so compellingly vivid and dramatic a shape. Translated by Walter Lowrie. (shrink)

In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist ethics and (...) immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume, first published in 2006, presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text. (shrink)

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

In this essay I offer a reading of Fear and Trembling that responds to critiques of Kierkegaardian ethics as being, as Brand Blanshard claims, “morally nihilistic,” as Emmanuel Levinas contends, ethically violent, and, as Alasdair MacIntyre charges, simply irrational. I argue that by focusing on Isaac's singularity as the very condition for Abraham's “ordeal,” the book presents a story about responsible subjectivity. Rather than standing in competition with the relation to God, the relation to other people is, thus, (...) inscribed into this very relation. Fear and Trembling, I contend, advocates a bidirectional responsibility that is constitutive of subjectivity itself and, as such, actually resonates with certain aspects of Levinasian ethics. I conclude by suggesting that Abraham's ordeal is not due to the conflict between a nonreligious duty and the duty to God, but instead reflects a tension that is internal to the life of faith itself. (shrink)

In the literature of philosophy and religious ethics, Kierkegaard's Fear and Trembling has, with few exceptions, been read as a work focused on ethical questions concerning the norms governing human conduct. However, ethical readings of this book not only miss important features of the text, they render its argument internally incoherent. These problems disappear when Fear and Trembling is understood primarily as a discussion of Christian soteriology that symbolically uses the Abraham story to develop the classical (...) Pauline -Lutheran doctrine of justification through faith alone. (shrink)

Soren Kierkegaard's Fear and Trembling is one of the most widely read works of Continental philosophy and the philosophy of religion. While several commentaries and critical editions exist, Jeffrey Hanson offers a distinctive approach to this crucial text. Hanson gives equal weight and attention to all three of Kierkegaard’s "problems," dealing with Fear and Trembling as part of the entire corpus of Kierkegaard's production and putting all parts into relation with each other. Additionally, he offers a (...) distinctive analysis of the Abraham story and other biblical texts, giving particular attention to questions of poetics, language, and philosophy, especially as each relates to the aesthetic, the ethical, and the religious. Presented in a thoughtful, well-informed, and fresh manner, Hanson’s claims are original and edifying. This new reading of Kierkegaard will stimulate fruitful dialogue on well-traveled philosophical ground. (shrink)

In Fear and Trembling, Johannes de Silentio, the pseudonymous author, uses images drawn from biological life as metaphors to illustrate the life of faith. Silentio begins in the preface by equating the life of faith with a biological lifetime. He then traces this lifetime in detail, beginning with childhood in the "Exordium" and concluding with marriage and parenthood in "Problema III". The process of biological development from child to adult parallels the development of the self from spiritual childhood (...) to mature faith. Silentio uses this parallelism to present his own account of the nature of the individual, and to critique the very different account which he finds in Hegel, the church, and his age. (shrink)

Foreword -- A note on the text -- Overview of themes and context -- Reading the text -- Preface -- Tuning up -- A tribute to Abraham -- A preliminary outpouring from the heart -- Problem I -- Problem II -- Problem III -- Epilogue -- Reception and influence.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Reading Kierkegaard I: Fear and Trembling by Paul MartensDerek HostetterReading Kierkegaard I: Fear and Trembling Paul Martens EUGENE, OR: CASCADE BOOKS, 2017. 130 pp. $18.00The very first line of Reading Kierkegaard I: Fear and Trembling warns that "reading Søren Kierkegaard is a task that requires a relatively high level of intellectual investment" (ix). Yet the difficult task Paul Martens sets for himself, (...) in keeping with the goal of the Cascade Companions series, is to provide a short introduction to Kierkegaard's thought for a nonspecialist readership. In this first volume, the primary text in focus is Fear and Trembling (FT), with a second volume to focus on Works of Love. More specifically, the threefold purpose of this volume is "(1) to illuminate the internal logic of the text in a manner that renders the text more accessible; (2) to highlight the links between FT and Kierkegaard's broader context in a way that helps one make sense of some of its more opaque sections; and (3) to attend to the theological themes that permeate and drive the text" (xi). [End Page 205]Martens helpfully follows the structure provided by FT, explicating each "chapter" in turn and highlighting the ways it relates to the others as well as to the argument as a whole. This approach is particularly helpful for the long and difficult Problem III "chapter" in FT, which Martens frames as an attempt by Kierkegaard's pseudonymous author Johannes de Silentio to perform the text's argument by demonstrating "that the whole investigation—any investigation, even an unlimited poetic investigation of characters and concepts—only leads to one conspicuous conclusion: Abraham is unintelligible" (54).Attention to the links between FT and Kierkegaard's broader context is also helpful for unifying the seemingly disparate arguments in FT. In Martens's reading of this context, FT is to be understood against the broad backdrop of Kierkegaard's criticisms of nineteenth-century Danish Christendom and the particular backdrop of the Hegelianism that de Silentio finds within it. The overall task of FT is then "to raise the price of faith" (71).Martens clearly attends to the text's theological themes with his repeated juxtaposition between "faith" as de Silentio sees it in the story of Abraham and "the ethical" as de Silentio sees it in nineteenth-century Denmark. Many theological themes are also highlighted and then brought into the reader's context in the discussion questions that follow each chapter.In addition to the discussion questions, Martens provides an appendix, which includes a timeline of Kierkegaard's first authorship, a glossary of important terms that may be unfamiliar, and a list of suggested readings for further study. The glossary will be a particularly helpful tool for those less familiar with Kierkegaard. However, there are also several terms missing that are both significant enough and unclear enough to warrant inclusion. One thinks here of a figure like Socrates and concepts like the knight of faith and the knight of infinite resignation.Similarly, another feature of the book that is both a strength and a weakness is its commitment to the text of FT rather than the scholarship surrounding the text. This is a strength because it keeps the book short and accessible for nonspecialists. It is also a weakness, however, because the reader interested in further study is not clearly pointed toward competing interpretations, despite the fact that some lines are ripe for a brief footnote providing such a reference—"Not all agree with me on this" (76).Overall, the discussion questions and appendix, its short length and overall readability, and its commitment to the text make Reading Kierkegaard I: Fear and Trembling a significant pedagogical contribution to ethics and Kierkegaard studies as an entry point for nonspecialists. [End Page 206]Derek HostetterUniversity of DaytonCopyright © 2018 Society of Christian Ethics... (shrink)

Most readings of Kierkegaard’s Fear and Trembling take its account of the Abraham and Isaac story to imply fairly obviously that duty towards God is absolutely distinct from, and therefore capable of superseding, duty towards neighbor or son. This paper will argue, however, that the Akedah, or ‘binding’ of Isaac, as Kierkegaard’s pseudonym, Johannes de Silentio, depicts it, binds Abraham to Isaac in a revitalized neighbor relation that is not at all subordinate, in any simple way, to Abraham’s (...) God-relation. The two relations are defined by an intimate mutual tension, a dynamic of passionate inwardness that responds to the immediate demands of the neighbor as fully as the ethics that Levinas notoriously accuses Kierkegaard of having ignored. It is also the dynamic of time consciousness, which for Levinas is fundamentally ethical. I show that Kierkegaardian faith can be viewed as the dynamic of time-consciousness transformed by passionate inwardness into one’s God-relation—that is, converted into a certain religious mode of life. The ethics corresponding to this—an ethics of neighbor love superseding the ‘social morality’ that Silentio, following Hegel, calls the ‘ethical’—would then be the same dynamic of time-consciousness transformed by passionate inwardness into one’s neighbor-relation. The key to the argument is seeing the need to substitute for the spatial dichotomy ‘interior/exterior,’ which results in so much trouble when comparing Levinas and Kierkegaard, the temporal contraries ‘giving up’ and ‘getting back.’. (shrink)

This collection brings together seven essays that link the work not only with other philosophers, such as Adorno, Heidegger and Westphal, but it is also related to the so-called 'non-metaphysical' approach to Hegel and to the debate on the 'ethics of belief'. Questions are raised about Kierkegaards' 'Fear and Trembling' and religious diversity, historical criticism, and authorial intent, and the work is approached from within poetry (Erik Johan Stagnelius) and drama (Paul Claudel), and also from within one contributor's (...) personal experiences with theological education. In this way, the seven contributions brought together in the present book offer something of a panoramic view on 'Fear and Trembling', a view that may inspire to either turn or return to Kierkegaard's most famous book, and let oneself, for the first time or once more, be challenged, disturbed, and maybe even repelled by this text that reflects on a father that is, or at least seems, willing to sacrifice his only son because God ordered him to do so. (shrink)

The author provides explicit philosophical terminology to clarify Kierkegaard's notion of a "teleological suspension of the ethical." He claims that the feature of Abraham's act that placed it beyond the sphere of the ethical was the impossibility of describing it as part of a way of life that one is prepared to commend to others. Thus, the only appropriate response to Abraham is silence.

This is a review of Walter Lowrie's early translations of these three works.