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Mixed affective responses to music with conflicting cues
Cognition and Emotion 22 (2):327-352 (2008)
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Citations of this work
The Distancing-Embracing model of the enjoyment of negative emotions in art reception.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - 2017 - Behavioral and Brain Sciences 40:e347.
Mixed Emotions Viewed from the Psychological Constructionist Perspective.James A. Russell - 2017 - Emotion Review 9 (2):111-117.
Mixed affective responses to music with conflicting cues.Patrick G. Hunter, E. Glenn Schellenberg & Ulrich Schimmack - 2008 - Cognition and Emotion 22 (2):327-352.
That's disgusting!…, but very amusing: Mixed feelings of amusement and disgust.Scott H. Hemenover & Ulrich Schimmack - 2007 - Cognition and Emotion 21 (5):1102-1113.
Jokes can fail to be funny because they are immoral: The incompatibility of emotions.Dong An & Kaiyuan Chen - 2021 - Philosophical Psychology 34 (3):374-396.
References found in this work
Music and emotion: perceptual determinants, immediacy, and isolation after brain damage.I. Peretz - 1998 - Cognition 68 (2):111-141.
Mixed affective responses to music with conflicting cues.Patrick G. Hunter, E. Glenn Schellenberg & Ulrich Schimmack - 2008 - Cognition and Emotion 22 (2):327-352.
Pleasure, displeasure, and mixed feelings: Are semantic opposites mutually exclusive?Ulrich Schimmack - 2001 - Cognition and Emotion 15 (1):81-97.
A developmental study of the affective value of tempo and mode in music.Simone Dalla Bella, Isabelle Peretz, Luc Rousseau & Nathalie Gosselin - 2001 - Cognition 80 (3):B1-B10.
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