Hegel and the

The Owl of Minerva 29 (1):1-21 (1997)
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Abstract

The aim of this article is to explain why, in Hegel's view, art's history brings it to the point at which it can no longer afford the highest satisfaction of our spiritual needs and so fulfill its own highest calling, and why, nevertheless, we moderns still need art and still need it to create beauty. I argue that Hegel advocates a modern art of beauty because he believes that what has to be given aesthetic expression in the modern world is concrete human freedom and life and that the aesthetic expression of such concrete human freedom entails beauty

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Stephen Houlgate
University of Warwick

Citations of this work

Hegel, Danto, Adorno, and the end and after of art.Owen Hulatt - 2016 - British Journal for the History of Philosophy 24 (4):742-763.
Artisans, Artists and Hegel's History of Art.Allen Speight - 2013 - Hegel Bulletin 34 (2):203-222.
Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.

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