Abstract

Giovanni Santinello in his insightful analysis and Italian translation2 of Nicholas of Cusa’s sermon “Tota Pulchra Es, Amica Mea” rightly points out that this sermon is the only work in which Nicholas deals systematically with the theme of beauty. Yet, he also points out that this theme pervades Nicholas ’s other works, even though it does not surface in them extensively. Santinello goes on to exhibit the direct borrowings that Nicholas makes from Pseudo-Dionysius’s De Divinis Nominibus and from Albertus Magnus’s commentary Super Dionysium De Divinis Nomin- ibus. Santinello then explores the issue of Nicholas ’s originality and concludes that “il pensiero estetico del Cusano ha una sua notevole originalità, e … il concetto albertista del bello … trova la sua giustificazione nel sistema filosofico e nelle convinzioni estetiche che sono proprie del Cusano.”