- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Musical Performance
Journal of Aesthetics and Art Criticism 59 (3):339-341 (2001)
Abstract
This article has no associated abstract. (fix it)My notes
Similar books and articles
The integrity of musical performance.Stan Godlovitch - 1993 - Journal of Aesthetics and Art Criticism 51 (4):573-587.
Stan Godlovitch, Musical Performance: A Philosophical Study. [REVIEW]Jeanette Bicknell - 2000 - Philosophy in Review 20:31-33.
Stan Godlovitch, Musical Performance: A Philosophical Study Reviewed by.Jeanette Bicknell - 2000 - Philosophy in Review 20 (1):31-33.
Creativity in musical performance.Nigel Harrison - 1978 - British Journal of Aesthetics 18 (4):300-306.
Authenticity in musical performance.Stephen Davies - 1987 - British Journal of Aesthetics 27 (1):39-50.
The essential role of improvisation in musical performance.Carol S. Gould & Kenneth Keaton - 2000 - Journal of Aesthetics and Art Criticism 58 (2):143-148.
Review of Musical Performance: A Philosophical Study, by Stan Godlovitch. [REVIEW]Luke Purshouse - 2004 - Essays in Philosophy 5 (1):212-215.
Authenticities: Philosophical Reflections on Musical Performance.James O. Young - 1995 - Journal of Aesthetics and Art Criticism 54 (2):198-200.
Analytics
Added to PP
2015-02-02
Downloads
0
6 months
0
2015-02-02
Downloads
0
6 months
0
Historical graph of downloads
Sorry, there are not enough data points to plot this chart.
Citations of this work
Technoperformances: using metaphors from the performance arts for a postphenomenology and posthermeneutics of technology use.Mark Coeckelbergh - 2020 - AI and Society 35 (3):557-568.
Transparent and Opaque Performance Personas.Wesley D. Cray - 2019 - Journal of Aesthetics and Art Criticism 77 (2):181-191.
Performances Compared. Sequential replication of the same music piece on an audiovisual file.Giorgio Armato - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):87-95.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6686886f5-sqlzn uwo