Abstract

I am grateful to Richard Allen, Angela Curran and Trevor Ponech for their interesting objections to and questions about the claims defended in my book. I first discuss Ponech, who raises the most general issue, concerning my account of what cinema is; next, respond to Curran, who examines my basic claim about the importance of medium-specific considerations; and then reply to Allen, who addresses the more specific question of the role of identification in eliciting emotions in cinema