Abstract

This article presents two case-studies that shed light on the silent yet significant role an editor might play in the reception of Renaissance texts and the place of Thomas Aquinas therein. Both studies take up texts from fifteenth-century Italy. The first addresses the scholastic philosopher, Dominic of Flanders, suggesting that Dominic’s originality as a thinker may have been ‘corrected’ by an anonymous editor in order to maintain closer accord with Aquinas’s position; inquiry into the manuscript tradition uncovers instances of silent intervention. The second addresses a Latin dialogue by the physician and humanist, Antonio de Ferraris (Galateo), drawing attention to a significant suppression of the interlocutor Thomas Aquinas, this time by a twentieth century editor.