Abstract

This article details the rapid extension of the video surveillance of downtown `public' spaces. Its main argument is that this surveillance is racially differentiated, and that it zones the city differently for Blacks and whites, eroding the Black freedoms of movement and association, while leaving those of whites intact. It also considers isses of privacy as a political zone of potential social change, and raises concern about its video-electronic erosion. The argument is set within the overall argument that underneath the structures of democracy totalitarian tendencies are rapidly extending their reach.