Form and philosophy in Sándor Weöres' poetry

Abstract

This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. The analyses emerge from the formal elements, and aim to shed light upon the structural coherences between the texts and their philosophical contexts. This method of analysis also complies with Weöres' views on the aesthetics of poetics and his method of writing, where form and structure always played an outstandingly important role. The complex methods used in the analyses are very much influenced by the views and methods of a text stylistics that looks at the literary work as a global entity. Taken together, these analyses illustrate the focal points of a remarkable poetical form and a most profound philosophical context in the poems of an outstanding Hungarian poet.

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References found in this work

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The Well-Wrought Urn.Cleanth Brooks - 1947 - Journal of Aesthetics and Art Criticism 6 (2):185-186.
Metaphor, feeling, and narrative.Ted Cohen - 1997 - Philosophy and Literature 21 (2):223-244.

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