Ten Reasons Why E. H. Gombrich is not Connected to Art History

Human Affairs 19 (3):304-310 (2009)
  Copy   BIBTEX

Abstract

Ten Reasons Why E. H. Gombrich is not Connected to Art History This is a speculative essay on the place of E. H. Gombrich in art history. Gombrich is universally known, and still often studied at the undergraduate and graduate levels. He is indispensable for the historiography of the discipline. But at the same time, he is not often cited, and his work is not usually part of the ongoing conversations of the current state of art history or visual studies. This brief essay questions that condition.

Categories

Add categories

Keywords

Reprint years

DOI

10.2478/v10023-009-0044-6

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,475

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

David carrier's art history.Jonathan Gilmore - 1995 - Journal of Aesthetics and Art Criticism 53 (1):39-47.
Particularism and the structure of reasons.Christian Piller - 2006 - Acta Analytica 21 (2):87-102.
Pictorial perception as illusion.Katerina Bantinaki - 2007 - British Journal of Aesthetics 47 (3):268-279.
Explorations in Connected History: Mughals and Franks, and: Explorations in Connected History: From the Tagus to the Ganges (review).J. G. A. Pocock - 2007 - Common Knowledge 13 (2):459-459.
Gombrich and Cultural History.Dan Karlholm - 1994 - Nordic Journal of Aesthetics 7 (12).
Ideals and Idols: Essays on Values in History and in Art E. H. Gombrich Oxford: Phaidon, 1979. Pp. 224.D. D. Todd - 1982 - Dialogue 21 (2):381-384.
Chinese art: How different could it be from western painting?David Carrier - 2012 - History and Theory 51 (1):116-122.
Cold-War Twins: Mikhail Alpatov's a Universal History of Arts_ and Ernst Gombrich's _the Story of Art.Vardan Azatyan - 2009 - Human Affairs 19 (3):289-296.
El nacimiento de "La sociedad abierta y sus enemigos", de Karl Popper.Hubert Kieseweter - 2001 - Anuario Filosófico 34 (69):179-206.
“Reckless Inaccuracies Abounding”: André Malraux and the Birth of a Myth.Derek Allan - 2009 - Journal of Aesthetics and Art Criticism 67 (2):147-158..
Ideals and idols: essays on values in history and in art.Ernst Hans Gombrich - 1979 - Oxford [Eng.]: Phaidon.
Definably connected nonconnected sets.Antongiulio Fornasiero - 2012 - Mathematical Logic Quarterly 58 (1):125-126.
Reasons for action: Justification vs. explanation.James Lenman - 2010 - Stanford Encyclopedia of Philosophy.

Analytics

Added to PP
2014-01-20

Downloads
30 (#527,864)

6 months
3 (#974,323)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

James Elkins
School of the Art Institute of Chicago

Citations of this work

Add more citations

References found in this work

No references found.

Add more references