Introduction

In Marina Frasca-Spada & P. J. E. Kail (eds.), Impressions of Hume. Oxford University Press (2005)
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Abstract

The original occasion for most of the chapters contained in this book was the result of a wish to establish a forum where Hume scholars of various provenances and convictions could meet and discuss all matters Humean, profiting from the very differences that commonly would make it difficult for them to cross paths with each other. This wish materialised in an interdisciplinary workshop, ‘Hume Studies in Britain’, held in Cambridge in September 2000. The title of the book is intended to reflect that original interdisciplinary approach: Hume has made different impressions on the different areas of investigation here represented. Thus his writings can be taken as transparent vehicles for philosophical intuitions, problems, and arguments that are still at the centre of philosophical reflection today. On the other hand, there are readings that try to locate Hume's views against the background of concerns, debates and discussions of his own time. Hume's texts may be read as highly sophisticated literary-cum-philosophical creations: in such cases, the reader's attention tends to be directed at issues of genre and persuasive strategies rather than philosophical questions and arguments. Or they may be regarded as moments in the construction of the ideology of modernity, and as contributions to the legitimation of a given social order. As the true classics that they are, Hume's works are typical ‘open texts’, in which readers keep finding an ever new and varied bounty of inspirations. The borders between these approaches are far from neat; and this book intends to promote as much trespassing as possible between them.

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