Deleuze and performance

(ed.)
Edinburgh: Edinburgh University Press (2009)
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Abstract

This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative ...

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Reprint years

2012

Call number

B2430.D454.D447 2009

ISBN(s)

9780748635030   0748635041

DOI

10.1515/9780748635054

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Chapters

Act I Deleuze on theatre : Artaud, Beckett and Carmelo Bene. I Artaud BwO : the uses of Artaud's To have done with the judgement of god / Edward Scheer ; Expression and affect in Kleist, Beckett and Deleuze / Anthony Uhlmann ; A theatre of subtractive extinction : Bene without Deleuze.Lorenzo Chiesa
Act II Confronting Deleuze and live performance. Becoming a citizen of the world : Deleuze between Allan Kaprow and Adrian Piper / Stephen Zepke ; Sub specie durationis / Matthew Goulish and Laura Cull ; Thinking through theatre / Maaike Bleeker ; Becoming-donosaur : collective process and movement aesthetics.Anna Hickey-Moody
Act III A digital Deleuze : performance and new media. Like a prosthesis : critical performance à digital Deleuze / Timothy Murray ; Performance as the distribution of life : from Aeschylus to Chekhov to VJing via Deleuze and Guattari / Andrew Murphie ; The 'minor' arithmetic of rhythm : imagining digital technologies for dance.Stamatia Portanova
Interval. Of butterflies, bodies and biograms : affective spaces in performativities in the performance of Madama Butterfly.Barbara Kennedy
Interval. Performing, strolling, thinking : from minor literature to theatre of the future / Daniel Watt ; Off the beaten path or, notes towards a Heideggerian deterritorialisation : a response to Daniel Watt.Julian Wolfreys
Performing in the chaosmos : farts, follicles, mathematics and delirium in Deleuze.Herbert Blau
Introduction.  (pages 1-21)Laura Cull
Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze.  (pages 22-34)Herbert Blau
Chapter 2 I Artaud BwO: The Uses of Artaud’s To have done with the judgement of god.  (pages 37-53)Edward Scheer
Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze.  (pages 54-70)Anthony Uhlmann
Expression and affect in Kleist, Beckett and Deleuze.  (pages 54--71)Anthony Uhlmann
A Theatre of Subtractive Extinction: Bene Without Deleuze.  (pages 71)Lorenzo Chiesa
Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze.  (pages 71-88)Lorenzo Chiesa
Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future.  (pages 91-102)Daniel Watt
Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future.  (pages 91)Daniel Watt & Julian Wolfreys
Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt.  (pages 102)Julian Wolfreys
Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt.  (pages 102-106)Julian Wolfreys
Becoming a citizen of the world: Deleuze between Allan Kaprow and Adrian Piper.  (pages 109--25)Stephen Zepke
Chapter 6 Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper.  (pages 109-125)Stephen Zepke
Chapter 7 sub specie durationis.  (pages 126-146)Matthew Goulish & Laura Cull
Sub specie durationis.  (pages 126)Matthew Goulish & Laura Cull
Chapter 8 Thinking Through Theatre.  (pages 147-160)Maaike Bleeker
Thinking through theatre.  (pages 157)Maaike Bleeker
Becoming-dinosaur: Collective process and movement aesthetics.  (pages 161--180)Anna Hickey-Moody
Chapter 9 Becoming–Dinosaur: Collective Process and Movement Aesthetics.  (pages 161-180)Anna Hickey-Moody
Chapter 10... of butterfl ies, bodies and biograms... Affective Spaces in Performativities in the Performance of Madama Butterfly. [REVIEW]  (pages 183-200)Barbara Kennedy
Chapter 11 Like a Prosthesis: Critical Performance à Digital Deleuze.  (pages 203-220)Timothy Murray
Like a Prosthesis: Critical Performance à Digital Deleuze.  (pages 203)Timothy Murray
Chapter 12 Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari.  (pages 221-239)Andrew Murphie
Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari.  (pages 221)Andrew Murphie
Chapter 13 The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance.  (pages 240-260)Stamatia Portanova
The 'Minor'Arithmetic of Rhythm: Imagining Digital Technologies for Dance.  (pages 240)Stamatia Portanova

Similar books and articles

Deleuze and Performance, edited by Laura Cull.João Florêncio - 2010 - Journal of the British Society for Phenomenology 41 (3):331-331.
Beckett, Deleuze and Performance: A Thousand Failures and a Thousand Inventions.Daniel Koczy - 2018 - Springer Verlag.
Act I Deleuze on theatre : Artaud, Beckett and Carmelo Bene. I Artaud BwO : the uses of Artaud's To have done with the judgement of god / Edward Scheer ; Expression and affect in Kleist, Beckett and Deleuze / Anthony Uhlmann ; A theatre of subtractive extinction : Bene without Deleuze.Lorenzo Chiesa - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press.
Habit in the theatre : Henri Bergson, Gilles Deleuze and performance, with particular reference to the physical theatre of Yumi Umiumare and David Pledger.Bree Jamila Hadley - unknown
Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze.Lorenzo Chiesa - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 71-88.
Performing in the chaosmos : farts, follicles, mathematics and delirium in Deleuze.Herbert Blau - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press.
Act II Confronting Deleuze and live performance. Becoming a citizen of the world : Deleuze between Allan Kaprow and Adrian Piper / Stephen Zepke ; Sub specie durationis / Matthew Goulish and Laura Cull ; Thinking through theatre / Maaike Bleeker ; Becoming-donosaur : collective process and movement aesthetics.Anna Hickey-Moody - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press.
A Theatre of Subtractive Extinction: Bene Without Deleuze.Lorenzo Chiesa - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 71.
Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future.Daniel Watt - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 91-102.
Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze.Anthony Uhlmann - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 54-70.

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Becoming-animal in Shaffer's Equus.Ashley Woodward - 2015 - Deleuze and Guatarri Studies 9 (2):231-256.

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