Focusing on such texts as Three Lives, Tender Buttons, Ida, and Blood on the Dining-Room Floor, Harriet Scott Chessman wishes to develop a theory of the dialogical relations between representation and'the Body'in Gertrude Stein. Since, as Chessman argues,'Stein's forms resist location solely within a" female" or a maternal and presymbolic realm'

Semiotica 103 (1/2):189-191 (1995)
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