Eerie: de-formations and fascinations

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Angelaki 27 (5):113-131 (2022)
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Abstract

In this paper, we explore what it means for an object to be eerie. We argue that the Eerie is an index of phenomenology’s limits: it is a complex, contradictory moment in the dialectics of subject/...

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10.1080/0969725x.2022.2110399

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Jana Cattien
Durham University

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References found in this work

Phenomenology of Perception.Aron Gurwitsch, M. Merleau-Ponty & Colin Smith - 1964 - Philosophical Review 73 (3):417.
Cézanne's Doubt.Maurice Merleau-Ponty - 1964 - In Sense and Non-Sense. [Evanston, Ill.]: Northwestern University Press. pp. 1-25.

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