virgilee's smile brightens the gloaming, some sunlight penetrates the low-lying clouds, but a persistent mist hides merchants from one another. She sweeps her arm around this eerie scene and conjures up the attraction of the Market. So many people learned about business here, their kids are now in business all over the City. You're free here; everybody is doing their own thing at their own pace. Folks working here want to be successful. At work you go by the other guys' (...) rules, you're free here for a few hours, like being out in the woods, you can come in the middle of the week and it's private here and people don't notice you, it's therapeutic like being in an oasis. You meet so many people it really is the melting... (shrink)

before i begin, i would like to express my considerable gratitude to Heldke, Orosco, and Stehn for their stimulating reading of my work and their considered critiques, and to the SAAP Coss Committee for taking pains to represent a community, identifying members in the spirit of the SAAP. Indeed I must parallel and reflect the words Heldke used: "It was just fun to read... about a place... [described] by a theoretical tradition I value" or Orosco locating my scholarship in ancient (...) debates between forms of reasoning about human behavior, or Stehn making me think how to better achieve the aspirations of my applied scholarship. Again, let me say, thanks to you all.Readers made... (shrink)

Through the concept of enjoyment in Levinas, this paper examines the phenomenological and ontological dimension of everyday aesthetics. Enjoyment, in Levinas, forms an essential element in the constitution of the subjectivity of the human being and is no longer to be seen as a moment of ‘inauthenticity’ or ‘alienation’. The experience of the objects of everyday experience is not related to that of objects of representation or of tools, but rather to that of a system of nourishment into which the (...) subject is integrated, as in an ‘element’ or ‘atmosphere’. This constitutive closeness of enjoyment indicates the fundamental difference between what we understand as everyday aesthetics and other aesthetics characterised by contemplation or disinterest. (shrink)

Through the concept of enjoyment in Levinas, this paper examines the phenomenological and ontological dimension of everyday aesthetics. Enjoyment, in Levinas, forms an essential element in the constitution of the subjectivity of the human being and is no longer to be seen as a moment of ‘inauthenticity’ or ‘alienation’. The experience of the objects of everyday experience is not related to that of objects of representation or of tools, but rather to that of a system of nourishment into which the (...) subject is integrated, as in an ‘element’ or ‘atmosphere’. This constitutive closeness of enjoyment indicates the fundamental difference between what we understand as everyday aesthetics and other aesthetics characterised by contemplation or disinterest. (shrink)