Abstract

This paper's aim is to study the Greek simile of the ship of state, since it was born in the Lyric Poetry until its definitive drawing by Plato's hands. It describes the image of Paros' ship, by Archilochus, or the ship of city by Alcaeus and by Theognis. Analyzes how this image improves through the tragedies of Aeschylus and Sophocles, and their moral comprehension of it. And, at last, explains the excellence achieved as the central image on Plato's politic project.