Abstract

The first part of the present paper offers a critical response to Wang Ning's proposed construction of world poetics, based on a brief reexamination of the changing meanings and implications regarding the concept of world literature. The second part is an elucidation of the dynamics and tensions between global tendencies and local manifestations, taking the May Fourth writers and Xueheng School as examples. I argue that by transcending the binary opposition between the local and global, world poetics transforms perspectives from Eurocentrism to a "glocalized" vision, and provides a solid foundation for further exploration of world literary theories.