Abstract

Abstract:This article draws on the later work of Maurice Merleau-Ponty to develop an onto-phenomenological approach to landscape aesthetics. Specifically, by closely examining the natural, cultural, and artistic history of the French mountain, Mont. Sainte-Victoire, I explicate Merleau-Ponty's critique of the anthropocentric bias in modern landscape aesthetics that something has aesthetic significance only where a higher-order subject (i.e. human) reflects on and appreciates it. By contrast, I argue that Merleau-Ponty retrieves the ancient Greek notion of aisthesis as the coming-into-appearance of the sensible world. In this move from a subjective ground to an ontological ground, I argue that landscape aesthetics might better be understood as the generative creation of the sensible world, a creation that is co-constituted by natural, cultural, and artistic forces.