Abstract
The overall theme of this superb collection concerns the complex of relations among Kant's views of art and aesthetic experience, the interests of morality and society in the latter, and more generally the connection between morality and human sensibility. Except for the last and perhaps the penultimate chapter, Guyer's main approach is from the direction of issues raised by the "Critique of Aesthetic Judgment." However, the last and longest chapter, specially written for the book, is a detailed and penetrating examination of the extent to which Kant recognizes the moral significance of human sensibility. The chapter includes interesting comment on Kant's development and motivations, as well as helpful commentary on the different frameworks employed by Kant in his classification of virtues and duties.