Wittgenstein and the conditions of musical communication

Philosophy 80 (4):513-529 (2005)
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If Wittgenstein's later account of language is applied to music, what seems to follow is a version of musical formalism. This is to say that the meaning of music is constituted by the rules of a given system of music, and the understanding of music is the ability to follow these rules. I argue that, while this view may seem unattractive at the outset, Wittgenstein actually held this view. Moreover, his later notion of a rule gives us resources to answer some of the traditional criticisms directed against formalism



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Hanne Appelqvist
University of Helsinki

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