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Philosopher Merab Mamardashvili had multiple connections to the Soviet film industry, including the years he spent lecturing to cinema students in Moscow, and yet his work in this area has thus far been neglected by scholars of philosophy and cinema alike. In this article, I consider Mamardashvili’s most sustained remarks on film, including his use of the metaphor of the movie theatre and his commentary in The Aesthetics of Thinking on Vadim Abdrashitov and Aleksandr Mindadze’s The Train Stopped. Mamardashvili used (...) |
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In this paper, I discuss and analyze three instances of exchange and interaction between Russian (incl. Soviet) and (West) European philosophical culture: the correspondence between Merab Mamardašvili and Louis Althusser, Jacques Derrida’s visit to Moscow in 1990, and a joint Russian–German publication by Nikolaj Plotnikov and Alexander Haardt. The focus is on the implicit mutual perception of philosophical cultures and on the ‘micro-politics’ of discourse that is at stake in their interaction. Also, it is shown how different contexts—labelled ‘philosophical culture’, (...) |
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This paper sketches the ambitious outlines of an assessment of the place of Russian philosophy in philosophical history ‘at large’, i.e. on a global and world-historical scale. At the same time, it indicates, rather modestly, a number of elements and aspects of such a project. A retrospective reflection and reconstruction is not only a recurrent phenomenon in philosophical culture (which, the author assumes, has become global), it also is, by virtue of its being a philosophical reflection, one among many possible (...) |
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Mamardashvili always engaged in a dialogue with thinkers of the past, particularly with those philosophers whom he considered to have founded the phenomenological analysis of consciousness. He had a particular fascination for Kant. Not only did Mamardashvili devote to him a series of lectures, but he referenced Kantian themes throughout the entirety of his work. This article focuses on two of those themes. The first is transcendental consciousness, considered as that which makes experience possible without being itself reducible to experience. (...) |
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The early works of Merab Mamardashvili are usually neglected by admirers and critics alike. In this paper, I focus on the very early period of Mamardashvili’s development as a professional philosopher putting it in the context of the thinker’s interactions with the intellectual community in 1950s and then current discussions about the perspectives of professional philosophy in the USSR. Special attention is paid to a small society of dedicated young philosophers with whom he shared logical and philosophical interests. In the (...) |
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