In this article I re-examine Adorno's and Horkheimer's account of the disenchantment of nature in Dialectic of Enlightenment . I argue that they identify disenchantment as a historical process whereby we have come to find natural things meaningless and completely intelligible. However, Adorno and Horkheimer believe that modernity not only rests on disenchantment but also tends to re-enchant nature, because it encourages us to think that its institutions derive from, and are anticipated and prefigured by, nature. I argue that Adorno's (...) Negative Dialectics and Aesthetic Theory show how constellations and artworks generate an alternative form of reenchantment which is critical of modernity and its domination of nature. This form of re-enchantment finds natural beings to be mysteriously meaningful because they embody histories of immeasurable suffering. This experience engenders guilt and antipathy to human domination over nature. (shrink)

It is generally recognized that Adorno and Levinas should both be read as urging a rethinking of ethics in light of Auschwitz. This demand should be understood in terms of the acknowledgement of transcendence. A phenomenological account of the event of Auschwitz developed by Todes motivates my use of Cavell’s distinction between acknowledgement and knowledge. Both Levinas and Adorno argue that an ethically adequate acknowledgement of transcendence requires that the traditional concept of transcendence as represented in theodicy must be rejected. (...) This rejection takes the form of a rejection of theodicy (Levinas) and a negative theodicy (Adorno). I argue that Adorno’s response is superior because it is a response to the specificity and particularity of the event of Auschwitz as the destruction of, rather than merely the denial of, the humanity of both perpetrators and victims. (shrink)