This paper offers a short history of Agnes Heller’s relationship to China through three aspects: imaginative aesthetic enjoyment, real encounters with Chinese cultural spectacles and actual audiences, and the construction of an academic community through creative dialogue. These discussions suggest that Heller felt at home in China. Although Heller has passed away, a home for us remains in her work through remembering her and engaging further with her writings.

One of the many themes to which Agnes Heller's philosophy returns again and again is the theme of the home of the moderns. Although not necessarily her central philosophical theme, nonetheless, it opens onto the existential and multi-dimensional nature of the human condition in modernity, which her work permanently addresses.

This article builds on a developing interdisciplinary discussion of home. It studies two 20th-century texts in counterpoint: political philosopher Agnes Heller's essay, `Where Are We at Home,' and novelist Melpo Axioti's My Home, a nostalgic recollection of life on Mykonos. Heller contrasts the elusive, self-appointed geography of postmodern living with a traditional view of primordial dwelling, a non-transient way of dwelling that gave to Earth a commitment stretching from ancestral past to a distant future. That experience is all but lost (...) today, Heller muses as she surveys the horizon for space-bound alternatives to today's geographic promiscuity. The closing paragraph of her essay, which settles inconclusively on a Mediterranean landscape, opens a portal to My Home, the work of another political exile deprived of nationality and citizenship during the Cold War. Axioti's postmodern novel juxtaposes native stories of a transient life on Mykonos with the modern developer's efforts to discover firm foundations for building and an exile's wish to recover solid memories of home. Between those perspectives, Mykonos comes alive as a different type of home, in which obligation forms a bridge between presence and absence. The article closes by inquiring whether a thoughtful look at fragile Mediterranean worlds might reintroduce the idea of obligation to postmodern conceptions of home. (shrink)

Why do caravans matter? Australians, like others, holiday in them, travel in them, cook, eat, drink, play, sleep and have sex in them. They also live in them, often involuntarily. Caravans have a longer history than this, however caravan life has almost no presence in existing historical or cultural sociology scholarship. Our immediate interest is in caravans in Australia, modernity and mobility. Some broader interest is apparent. Theoretical arguments about mobility on a global scale have been developed by Bauman and (...) Urry. Sociologists like Jasper have connected mobility, masculinity and automobility in Restless Nation. The sociologist and writer Marina Lewycka has used caravans as the locus of everyday life study in her novel Two Caravans. In this paper we background some of these broader issues, and offer a case study of postwar caravan manufacturing. This paper anticipates a larger possible research project in these fields. We anticipate this project raising themes like freedom, mobility, escape, utopia; images of domesticity on wheels, décor and design, materials, technology, DIY production and Fordism; caravan parks as homes and as itinerant and long-term accommodation. These themes and images are also necessarily interwoven with class, gender, sex and age. We are interested in the possibilities of using the caravan as a carrier for making sense of postwar Australia. (shrink)

Globalization cuts both ways. Not only does it valorize the local in a cultural sense, it constructs the local as the tribal. Processes of geopolitical fragmentation give those in power even more room to manoeuvre. Glocalization involves the reallocation of poverty and stigma from above without even the residual responsibility of noblesse oblige. Geographical and social mobility are dichotomized; populations are refigured as tourists and vagabonds. Globalization thus reinforces already existing patterns of domination, while globalization indicates trends to dispersal and (...) conflict on neo-traditional grounds. The privileged walk, or fly away; the others take revenge upon each other. (shrink)

Written during the early days of the COVID-19 pandemic, this short essay reflects on a changing world in the midst of major upheaval. Bringing together the philosophical thought of the late Agnes Heller with the historical meditations expressed in Virginia Woolf’s final novel Between the Acts, the essay attends to the ways that historical transition plays out in the everyday. Writing on the cusp of the Second World War, Woolf is acutely aware of an atmosphere of historical change, and she (...) writes this unease into the everyday transitions of her characters and ambience of the novel. Drawing on Heller’s reflections on notions of home, I consider how our experience of everyday life reflects the undulations of history. Taking Woolf’s prompt, I tune into the ways that the unease of historical transition enters the everyday through a heightened awareness of contingency and growing sense of the uncanny. (shrink)