Switch to: References

Citations of:

Jacques Derrida and the Humanities: A Critical Reader

(ed.)
New York: Cambridge University Press (2001)

Add citations

You must login to add citations.
  1. The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai.Kyle Barrowman - 2022 - Film-Philosophy 26 (3):352-374.
    To date, film scholars have found the films of Jim Jarmusch to be tantamount to works of postmodern philosophy. For as intriguing and productive as such interpretations of Jarmusch’s films have been, I submit that the postmodern framework occludes a crucial aspect of Jarmusch’s film-philosophy, namely, his investment in the ordinary. From this perspective, I intend to show the availability of Jarmusch’s films to Wittgensteinian interpretation. More specifically, I plan to situate Jarmusch’s arthouse action film Ghost Dog: The Way of (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  • Simulating the world: The digital enactment of pandemics as a mode of global self-observation.Sven Opitz - 2017 - European Journal of Social Theory 20 (3):392-416.
    If the twentieth century was the age of the world picture taken as a photograph of the Whole Earth from outer space, today’s observations of the planet are produced by means of computer simulation. Pandemic models are of paramount sociological interest in this respect, since modelling contagion is closely intertwined with modelling the material connectivities of social life. By envisioning the global dynamics of disease transmission, pandemic simulations enact the relationscapes of a transnational world. This article seeks to analyse such (...)
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations