As Baudelaire’s poetics are founded in an understanding of inspiration as an expression of reflexion, they coin the fundamentals of modern aesthetics. In another perspective, these poetics are linked to an epistemological tradition, in which ›enthousiasmos‹ as the subjective capacity of mind does not only intend to assimilate itself to the idea, but claims to give form to the idea by its own creativity. The preforms of this thought might be found in Neo-Platonism, respectively in its early modern remodelling in (...) Bruno’s ›Eroici Furori‹ that award metaphysical qualities to the intellect as an ›infinite movement‹, taking in account that this movement does no longer target the cognition of intelligibility, but produces intelligibility by itself. (shrink)

Araras, 4 de abril de 2017 Querido amigo José Esteves: Você não tem idéia do quanto fiquei contente ao receber a solicitação feita por sua amiga Cecília de uma bibliografia sobre o Centro Dom Vital. Foi você quem sugeriu que ela me telefonasse e eu fiquei feliz por ser lembrada depois de tanto tempo e lembrada por um amigo que me traz tantas e tão gratas recordações. Soube por ela, pela sua amiga, que você está aposentado e que continua muito (...) ativo, trabalhando em seus múltiplos interesses c... (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 109 Heft: 1 Seiten: 188-193.

In this paper I put in dialogue two areas of scholarship: Technology Studies and Sound Studies. Within Technology Studies I discuss the influential social construction of technology approach and illustrate it with the history of the moog electronic music synthesizer, the first commercial music synthesizer. I stress the role of standardization of keyboards and the key role played by users in the development of this technology. I examine certain iconic sounds that the moog synthesizer produces and discuss the (...) stabilization of sound. It is argued that just as technologies can be traced as stabilizing over time, sounds also can be traced with certain sounds stabilizing and being taken up by users whilst other sounds fail to stabilize. The technology required to produce a sound, performance practice, and wider cultural concerns such as the naming of sounds are crucial ingredients in the stabilization of sound. (shrink)

In a future world of ubiquitous computing, in which humans interact with computerized technologies even more frequently and in even more situations than today, interface design will have increased importance. One feature of interface that I argue will be especially relevant is what I call abstract relational strategies. This refers to an approach (in both a bodily and conceptual sense) toward the use of a technology, an approach that is general enough to be applied in many different concrete scenarios. Such (...) an abstract manner of approach is relevant, for example, when an interface design for a device to which users are already accustomed is applied to an entirely different device (such as a device used for a completely different purpose). To articulate this idea, I explore the history of keyboards, and consider how the habits of interface with one kind (e.g., piano keyboards) have historically enabled some users to approach other technologies fitted with similar keyboard interface (e.g., typewriters, electronic instrumentation). I conclude by brainstorming ways that abstract relational strategies, applicable to a variety of different devices, will have increased importance in a future world in which computing is even more ubiquitous than today. (shrink)