The catastrophe of the eye -- A new view of seeing -- Applying the new view of seeing -- The illusion of seeing everything -- Some contentious points -- Towards consciousness -- Types of consciousness -- Phenomenal consciousness, raw feel, and why they're hard -- Squeeze a sponge, drive a porsche : a sensorimotor account of feel -- Consciously experiencing a feel -- The sensorimotor approach to color -- Sensory substitution -- The localization of touch -- The phenomenality plot -- (...) Consciousness. (shrink)

The problem of understanding how physical processes in the brain could give rise to consciousness has been identified with the 'comparative explanatory gap', the problem of explaining why different experiences have the differing qualities they do, and the 'absolute explanatory gap', the problem of explaining why anything can be conscious at all. The main innovation of the sensorimotor theory is that it provides a very appealing way of closing the comparative gap by postulating that the quality of experiences corresponds to (...) objective sensorimotor laws that characterize one's bodily interaction with the environment. Here I expound in greater detail how the approach deals with the absolute gap. I refine my previous efforts at understanding what we mean by 'being conscious of something' by abandoning my previous hierarchical approach; by introducing the concept of 'mental manipulation'; and by relying more on a notion of self than I have done previously. I end up with a more variegated notion of consciousness than in previous work, that includes the idea of a complex interwoven patchwork of consciousness with no simple conscious/nonconscious distinction across different species or agents. The approach suggests we need to review the links between consciousness and ethics. (shrink)

(1) The purported evidence for neural filling-in is not evidence for filling-in, but just for long-range dynamic interactions. (2) Vision is perhaps not an “illusion,” but at any rate it is not “pictorial.” (3) The idea of the “world as an outside memory” as well as MacKay's “conditional readiness for action” may help approach an “enactive” theory of vision.

Recent results showing that large changes in a scene are not noticed if they occur at the same time as a global visual disturbance caused by saccades, flicker, "mudsplashes", or film cuts, are generally explained in terms of a theory in which it is assumed that the observer's internal representation of the outside world is very sparse, containing only what the observer is currently processing. The present paper presents some clarifications of the theory, and some new implications and predictions that (...) arise from it. (shrink)