Abstract

Recent results showing that large changes in a scene are not noticed if they occur at the same time as a global visual disturbance caused by saccades, flicker, "mudsplashes", or film cuts, are generally explained in terms of a theory in which it is assumed that the observer's internal representation of the outside world is very sparse, containing only what the observer is currently processing. The present paper presents some clarifications of the theory, and some new implications and predictions that arise from it.