This article is prompted by some ideas from Robert S. Brumbaugh and Alfred North Whitehead, in particular. Four different views of experienced time are considered as well as four different conceptions of the practice of life that are the implications of these views of time. Further, four different famous works of literature are considered in the effort to understand these views of time and their implications for the practice of life.

By employing Peirce’s semiotics, Totalitarianism is distinguished indexically from forms of Dictatorship and Authoritarianism. The former can be cast, as Arendt argued, to initiate a project for world domination dispensing with any sense of Authoritarianism in forwarding some purely fictitious conception where violence is manifested in terror. Alternatively, distortion of intellectual activity may issue within Populism so that the rule of Demagogy emerges initiating Despotism or a form of Dictatorship – either Commissarial or Sovereign form – where lawless violence is (...) sustained by secret police inducing fear but not terror. In the case of Authoritarianism induced iconically in a populace, violence may be tolerated accompanying either lawmaking or lawpreserving, both to be separated from Benjamin’s sense of pure violence. The latter – whether humanistically or spiritually understood – transcends both utilitarianism and sheer arbitrariness. (shrink)

This article explores the relationship between three elements—personality, character, and script—to interpret the idea of someone's identity. A common way to deal with this relationship is in terms of a duality, but a tripartite analysis works better. The article relies heavily on the thought of Charles Hartshorne, with the aid of Simone Weil and Charles Sanders Peirce.

The Iconic, Indexical and Intellective are conceptions derived from Charles Sanders Peirce's use of his sign theory. In characterizing different kinds of interpretative activity, they can be used to address certain problems in science, technology and the arts.

Language can be cast through words and images where truth claims are thought to lie. They may be either embodied within language or indicate what transcends it. Yet expression is formed through the spoken, written words or images. But what about the imagistic: words doing the work of an image without employing the visual? To grasp how the latter has emerged, the shift in authority from the spoken to the written word will be undertaken. The importance of the shift from (...) the written word to the image can be illustrated in the case of the Renaissance, for example, where the image in the book legitimated, the word. Today the word merely amplifies or justifies the image, located on a screen! From that development the imagistic has evolved raising the problem of its authority and thereby the issue of a concern for truth. (shrink)

Sartre’s Degrees of Consciousness Theory is developed in order to ascertain what this existential conception implies for an account of human intersubjectivity. Once active involvement in instrumental concerns---first degree consciousness---and reflection, whether of an impure kind characterizing second degree consciousness or a pure consciousness---that of a third degree---are distinguished, attention is focused upon the kinds of social relations typifying each kind of consciousness. A model for social relations is suggested to distinguish it from either the conflict model, with which it (...) is often confused, or the ‘we-subject’ model necessary for world exploitation so as to offer a way of grounding a morality as promised at the end of Being and Nothingness. (shrink)