The present-day arena of Chinese political culture features glocalizational considerations with regard to the exploration of renzheng as humane governance that is somewhat corresponding to shanzhi as good governance. Both forms of governance seem to share such similar principles as accountability, efficiency, equity, honesty and transparency, among others. However, humane governance places more emphasis on humanity, fairness, competence, correctness and morality with its ultimate goal to build up a harmonious society per se. It is claimed to consist in at least (...) two most important dimensions in the social setting of China at the current stage. One is fazhi as rule of law drawn from the Western democracy, and the other is xianming as wise leadership originated from the Chinese Confucianism. This pair of compasses can be employed to draw proper circles so long as they are synthesized into an organic whole by virtue of shiyong lixing as pragmatic reason. Such kind of reason is primarily characteristic of the Chinese mode of thought in one sense, and largely manifesting the ethos of Chinese culture in the other sense. In practice it is often conceived as general as “a creative principle in a dynamic process” of historical accumulation, cultural formation and psychological sedimentation as well. It was first formulated in early Confucianism but stays open to further modification along the passage of time. With respect to the preoccupation with humane governance in the given description, the pragmatic reason comprises at least four essential aspects ranging from usefulness (you yong xing), ethicalness (lun li xing), affective-cum-reasonable synthesis (qing li bu fen) to historical awareness (li shi yi shi). All this helps in varied ways rediscover the traditional sources and transform the conception of humane governance into a relevant strategy in order to upgrade the level of governmental efficiency and social management. (shrink)

AbstractPlato’s analogy of the ladder in the Symposium involves an inquiry into the love of beauty that pertains to a spiritual phenomenology of love. It is reconsidered in this discussion from both an aesthetic and teleological perspectives, and thus construed as a process of philosophical learning and virtuous cultivation. In the final analysis, this paper argues that it is intended to direct the love of beauty along with wisdom as virtue towards the Platonic ideal of human fulfillment and true happiness (...) for the good life qua its ultimate telos. On this account, both the value of knowledge and the cultivation of personality are emphasized for inter-connected reasons, and meanwhile a pragmatic stance is proposed on the kinds-of-life option in the light of the kinds-of-wisdom stratification. (shrink)

For so long a time it has been getting increasingly formidable, if not possible, to define art in general ever since the advent of the so-called “found art” or “ready-mades” of Marcel Duchamp and Andy Warhol, among other avant-garde or pop artists. But this does not have too much constraint over some philosophers who have made persistent attempts in this regard. What have turned out to be considerably influential are the “artworld” framed by Arthur C. Danto and the “institutional theory” (...) proposed by George Dickie. Nevertheless, Li Zehou, a contemporary Chinese philosopher, argues that the two theories aforementioned are not self-sufficient and convincing enough. For they could not well explicate the distinction between art and non-art, not to speak of the difference between artworks as artifacts and those as aesthetic objects. He then continues to treat art as sedimentation from an anthropo-historical viewpoint peculiar of his practical aesthetics (shijian meixue). His argument is underlined by a transcultural approach that is deployed to expand the intellectual horizon and consequently bear the theoretical fruit. (shrink)