François Jullien’s idea of landscape in Chinese philosophy and art is taken from the refinement of highly literate writers and artists, unrelated to the techniques of location that find good sites and make places in landscape. This article is based on a study of fengshui (Chinese geomancy). It argues that fengshui is a practice of identifying not things or beings but moments and circumstances of a client. It works with an epistemology of pattern recognition, which is based on observation and (...) experience but does not test the truth of the signs that are the means of recognizing patterns. This epistemology of pattern recognition is not peculiarly Chinese but can also be found in building, urban planning, and the art of medical diagnosis. (shrink)

China has many religions. But rituals of local temples are none of these. They celebrate many gods and their powers to respond. Gods are invited as welcome guests by appropriate rituals of welcome and communication. Other rituals pacify ghosts and harmful powers. These rituals are rich with their own poetry, a poetry of performance, not just of contemplation. Interpreting this poetry demands revision of theories of ritual and religion. The author has spent over four decades studying Chinese ritual and religion (...) through observation in contemporary China and Taiwan, constantly revising and rethinking theories of religion, ritual and their role in different political regimes.". (shrink)