Results for 'Siphamandla Zondi'

4 found
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  1.  3
    African Voices: in search of a decolonial turn.Siphamandla Zondi (ed.) - 2021 - Pretoria, South Africa: Africa institute of South Africa.
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    Gazing at South African higher education transformation through the potential role of the Wesleyan quadrilateral: A theological approach.Mlamuli N. Hlatshwayo & Thabile A. Zondi - 2020 - HTS Theological Studies 76 (1).
    The 2015–2016 South African higher education student movements evoked critical conversations regarding the extent to which institutions of higher learning have transformed into democratic and inclusive spaces. One of the key gaps in this field is the paucity of research that explores the potential role of theology in steering the direction of transformation in South African higher education system. Through a Wesleyan approach, the paper argues that the four quadrilaterals of the Wesleyn approach, scripture, tradition, reason and experience will be (...)
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    Cyberbullying a desecration of information ethics.Lancelord Siphamandla Ncube & Luyanda Dube - 2016 - Journal of Information, Communication and Ethics in Society 14 (4):313-322.
    Purpose Cyberbullying occurs when a minor is tormented, threatened, harassed, humiliated, embarrassed or otherwise targeted by another child. Given that cyberbullying entails defamation or spreading false information or portfolios about someone, it is regarded as a violation of the ethical code of information use. The purpose of the study was to explore the perceptions, experiences and challenges of post-high school youth with regards to cyberbullying. This is a quantitative study that used a survey approach to gather data using a self-administered (...)
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  4. The Missing Link / Monument for the Distribution of Wealth (Johannesburg, 2010).Vincent W. J. Van Gerven Oei & Jonas Staal - 2011 - Continent 1 (4):242-252.
    continent. 1.4 (2011): 242—252. Introduction The following two works were produced by visual artist Jonas Staal and writer Vincent W.J. van Gerven Oei during a visit as artists in residence at The Bag Factory, Johannesburg, South Africa during the summer of 2010. Both works were produced in situ and comprised in both cases a public intervention conceived by Staal and a textual work conceived by Van Gerven Oei. It was their aim, in both cases, to produce complementary works that could (...)
     
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