The word «history» can always be understood in two different meanings: as what happened in the past and as a story about the past. One and the same past can be described in different ways. The gap between historical events and representations of these events determines the diversity of historical discourses. Shifting the focus of the philosophy of history from identifying the con- ditions for the possibility of historical knowledge to the analysis of the process of historiography reflects an understanding (...) of the fundamental nature of historical discourses for the formation of pictures of the past. But the fascination with the subject of historical representation often overshadows what makes it possible in principle. Historical discourse is a modern narrative of the past. Thus, the condition for the possibility of historical discursiveness is the mediation of the horizons of the present and the past, which is a fundamental feature of the historicity of human existence. This article explains the discourses of memory and oppositional critical scientific history. Discourses of memory are considered as modern forms of manifestation of the historicity of human existence, because it is in them that the constant mediation of time horizons of the past and present becomes thematic. Critical history declaratively opposes the discourses of memory, but reveals the dependence of its methodological foundations on predetermined forms of under- standing the past presented in memory. The opposition between the discourses of memory and critical history structurally repeats the opposition of tradition and scientific history revealed in hermeneutics. The conceptual shift from tradition to memory reflects the fundamental changes in the modern understanding of historicity associated with the further detraditionalization and globalization of the world. Me- mory appears as a new form of understanding the past, associated with the fear of losing it, as well as understanding the distances and gaps in relation to it. Based on the differentiation of collective memory types, the corresponding types of dis- courses are distinguished. It is argued that historical discourses of identity cannot be identified with historical discourses of power, and historical-didactic and historical-aesthetic discourses are independent forms of modern attitude to the past. In an effort to separate critical reconstruc- tion from memory, scientific discourses become counterfactual to the taken for granted past, represented in the narratives of collective memory. (shrink)

To the question of the methodology of the study of modern nationalisms Anderson’s radical change in the perspective of the studies of nations allow to consider them beyond traditional subjectivation and objectification as imagined communities, standing on the same level as the worldviews of world religions. The article is devoted to clarifying the conditions of such comparison of nations and religions. Anderson himself explained this correlation with the concepts like “cultural artefacts” and “wide cultural systems”. These concepts, however, are not (...) very clear and are not provided with an appropriate methodology. The article argues that the juxtaposition of religious and national communities is methodologically grounded through the application of the phenomenological concept of symbolic universes to them. The latter are understood as the comprehensive horizons of meanings that legitimize local lifeworlds. The crite- rion for defining of the symbolic universe is the presence of legitimation of death as the man’s most marginalized experience. The application of the concept of symbolic universes to contem- porary communities reveals the ultimate forms of collective identity, the competition between which defines the outlines of actual world politics. (shrink)

The article is devoted to the analysis of the phenomenon of historical experience in Gadamer's hermeneutics and Ankersmit's philosophical-historical concept. The interest of the philosophy of history in experience was actualized against the background of exhaustion of the heuristic potential of historical narrativism and constructivism, closely related to the so-called "linguistic turn". At first glance, Gadamer and Ankersmit are representing antinomic interpretations of historical experience: as mediated by the effects of involvement in a tradition or heritage and direct, extracontextual encounter (...) with the past. However, the investigation proves that, despite the apparent antinomy of these approaches, the Gadamerian hermeneutic experience as an experience of the prevailing historical reality is not so far from the sublime historical experience of Ankersmit. And, on the contrary, the sublime historical experience, despite its claims to immediacy, turns out to be an experience of the finitude of human existence, that is, it is close to what Gadamer considered the essence of hermeneutic experience. In both cases, historical experience is considered as a condition for the possibility of understanding the past, and therefore, the question of the universal structure of such experience and understanding necessarily arises. The differences in the positions of the two authors stem from fundamentally different ontological prejudices that they share. For Gadamer, this is the reduction of history to a linguistically structured heritage, as a result of which most of the past falls out of hermeneutic experience. For Ankersmit, this is an uncritical understanding of time, as a result of which his concept of the sublime does not receive a reliable methodological foundation. Clarification of the temporality of the sublime historical, as well as rejection of the rigid connection between historical experience and language, open the prospect of removing the abstract antinomy of contextuality and immediacy of historical experience. The temporality of human existence turns out to be a universal prerequisite of historical experience, the two opposite forms of which are heredity and discontinuity. Contrary to the widespread criticism of Ankersmit's theory as far from historiographical practice, the development of the potential of the concept of sublime historical experience reveals its relevance to the dynamic and tragic modern history that Ukraine is currently experiencing. (shrink)