In this book, Richard Viladesau contrues Christian theology as a "theological aesthetics". He examines Christian revelation and its presuppositions in relationship to three interconnected meanings of the "aesthetic" in modern thought: human cognition as feeling and imagination; the realm of the beautiful; and the arts. In each area, examples from the arts are correlated with classical and contemporary theological themes.

The once marginal theological question of Christ’s unique status has today entered into general consciousness. Increasing friendly dialogue among religions is one factor contributing to the urgency of the question. Another is the critical nature of the question within Christian theology. This article examines a broad range of responses and calls for a foundational approach based on Karl Rahner. It shares the advantage of this approach in addressing the suggestion that the Christian religion plays a unique role in a “liberation (...) theology of religions.”. (shrink)

FoIlowing an historical oveview of problems which have affected an aesthetic account of God, I examine several contemporary approaches (including that of J.-D. Robert), and conclude with a cautious defense or the use or aesthetic judgement as a means or approaching the existence of God.

Traditionally it has been presumed that the knowledge of God’s triune nature could be derived only from positive Biblical revelation. However, the Second Vatican Council’s teaching on the universal possibility of true salvific faith implies that supernatural revelation also occurs outside Christianity. Karl Rahner’s explanation of the meaning of the Trinity as “concrete monotheism” raises the possibility of an implicit knowledge of God’s self-revelation as “Word” and “Spirit” in the experience of grace and its formulation in the categories of the (...) other world religions. (shrink)