Ibn Arfaʿ Raʾs is the author of a famous collection of alchemical poems entitled Shudhūr al-dhahab. In addition to Shudhūr al-dhahab, he authored several other works, including a commentary on Shudhūr, which is discussed here at some length for the first time, and strophic poetry on alchemy. The attribution of other works to him seems to be incorrect, and this applies especially to two works on magic. This contribution focusses on our findings on the identity of Ibn Arfaʿ Raʾs and (...) on his life, challenging the identification of the alchemist Ibn Arfaʿ Raʾs with a Mālikī religious scholar known as Ibn al-Naqirāt. Based both on manuscripts and on bio-bibliographical literature, we argue that from an early period, two different people, both from sixth/twelfth century Morocco, have been fused into one. Considering all sources, we also suggest that Ibn Arfaʿ Raʾs might have left the Islamic west and have written at least some of his works in the east, more specifically in Egypt, thereby explaining the broad reception of Shudhūr al-dhahab throughout the Islamic world, particularly in the Mashriq. (shrink)

Arabo-Islamic alchemy enjoyed considerable popularity until well into the 19th and 20th centuries. It can be considered both as a predecessor of modern chemistry and as a natural philosophy whose purpose is to explain the world. Yet one of the unresolved questions concerning alchemy is how one was supposed to learn it, since it was an art that was meant to be kept secret and only revealed to a few select individuals. While the practicalities of the learning experience remain obscure, (...) it is noteworthy that Arabic alchemical literature often makes use of the literary form of the dialogue, a genre strongly associated with teaching and learning. This paper focuses on three Arabic dialogues on alchemy; namely, Masāʼil Khālid li-Maryānus al-rāhib, Kitāb Mihrārīs al-ḥakīm and Risālat al-ḥakīm Qaydarūs, and discusses how the transfer of secret knowledge is represented. I will focus on the literary frames of these texts, their mise-enscéne, the master-disciple relation as represented within them, and the question of interaction between unequal partners. (shrink)

Alchemy is the art of transforming base metals into precious ones, usually silver and/or gold. The most important method conceived to reach this goal was the creation of the elixir, also called the philosophers’ stone, which, applied to the prime-matter, would lead to an accelerated process of ripening of metals, eventually ending in gold. How did Arabo-Islamic alchemists suppose that the transmutation worked? What were the conditions the adept had to fulfil in order to succeed? And what did they think (...) would happen when one finally has created the philosophers’ stone? Will the economy collapse because gold and silver will lose their validity? Will the alchemist simply lean back and enjoy? Or will the world end, because man has finally attained the knowledge that should be God’s only? (shrink)