In this paper I interpret the intriguing but underexplored concept of divine success in the Nāṭyaśāstra. The Nāṭyaśāstra discusses two main types of success that a dramatic performance may achieve. Chapter 27 of the Nāṭyaśāstra is principally devoted to explicating these two types of success: mānuṣī siddhi and daivikī siddhi. Prima facie, one type of success is deemed "human" because its achievement seems to depend on human efforts: the better the effort the greater the chances of attaining human success. The (...) other type is called "divine" because its achievement does not seem to be fully in human control; it seems to emanate from some nonhuman sources or factors.... (shrink)