This article is a close analysis of a popular song by the Italian singer-songwriter Paolo Conte, ‘Sparring Partner’, in Ozon's film [Formula: see text]. With particular reference to what Barthes called the ‘grain’ of the voice, the article shows how the song does not work anempathetically, cutting across characters and narrative and undermining them; nor does it work empathetically to support the characters or reflect their emotions in a straightforward way. Rather, the song creates a complex haptic moment, where affect (...) and gender fluidity combine to form a ‘haptic metaspace’; this acts as a frame for productively unstable embodiments, marked by nomadic transitions and volatilities, focused on the male of the couple. (shrink)