My paper examines the potential of Gaston Bachelard’s concept of phenomenotechnique through a critique of its historical reception and an analysis of its epistemological implications. Vis-a-vis constructivist and pragmatist interpretations, I argue that the core issue at stake in this concept is not just to regard scientific knowledge as ‘fabricated’ through technical means, but also to understand the radical difference that lies between the experience of a world given to and measured by scientists, and one that is ontologically expanded by (...) the conceptual creations of science. In his reflections on the ‘phenomenotechnical realisation’ of noumena in microphysics, mathematics and chemistry, Bachelard not only anticipated a new epistemic modality which has become eminent now in computerised, data-centric approaches to nature and culture; he also became one of the first philosophers to explore the human experience of a reality inherently built from, and no longer just described by mathematical tools and models. (shrink)

Nanotechnologies produce many different types of images but are characterized by the ones that allow us to ‘see the atoms’ despite the fact that objects at the nanoscale are smaller than the wavelength of light and hence are ‘invisible’. Images from scanning probe microscopy (SPM), like ‘The Beginning’, have played an emblematic role in the constitution of the field and are also more likely to be used in communication outside the scientific field. These images are made, selected, modified and evaluated (...) with respect to the information that they communicate. The ‘life cycle’ of these images implies the transduction of this information. Outside of the scientific field, however, they are no longer defined by this information, nor according to technical and scientific criteria, but by their aesthetic power, and they become associated with other images from other fields (art, advertisement, entertainment). This process creates a psycho-social ‘halo’ about ‘nano’ in the public perception, and raises ethical issues about nanotechnological communication via images. We will analyze the halo of the nano in this respect and propose a strategy for a reflexive ‘accommodation’ to the images at the nanoscale. (shrink)