Preceded by an introduction by Noortje Marres and Patrice Riemens that stresses the reconstitution of a national communitarianism around the elections, the article analyses the assassination of Pim Fortyn and the rise of a populism of the extreme-right. It is based upon an analysis of the media and of the relative backwardness of Dutch society with regard to the question of technology. According to the author, Pint Fortyn is essentially a media phenomenon made possible through the complicity of TV journalists. (...) The populist demonstrated the crisis of democracy and how out of touch traditional politicians are in the Netherlands, but with a project that brought about political regression and social division. (shrink)