Reading Of An Apocalyptic Tone Recently Adopted in Philosophy poses difficult questions of interpretation. We have indeed to account for multiple and often entangled themes as we have to deal with Derrida’s apparent inconsistency between his criticism of the apocalyptic tone in philosophy and his own use of that particular tone in his discourse. This article sheds light on this apparent ambiguity by drawing a parallel between the question of tone in hegelian philosophy and the “apocalyptic” thread of the “end (...) of philosophy” emphasized upon in Of An Apocalyptic Tone… Such a comparison provides us with a fresh understanding of that central thread of the book and helps in return unraveling the derridean debate with Kant and his heirs which relates to the possibility and the limits of demystification. (shrink)

The recent publication of Geschlecht III allows us, for the first time, to synoptically embrace the Geschlecht project and to appreciate its overarching consistency. I choose to read the Geschlecht series as the scene of an inheritance whereby Derrida wrestles with Heidegger’s legacy. More specifically, I identify the linchpin of Derrida’s critique of gathering (Versammlung), which organizes his reading throughout the series. I then distinguish between two layers within this reading : the first, wherein he stages the refusal of an (...) inheritance deemed metaphysical or suspicious, and the less well-known second, which sets the stage for a shared heritage (gift, promise, economy). The value of gathering thus consecutively appears on one and the other side of these dividing lines, until the legacy’s pluralization turns out to be what’s at stake in the scene. (shrink)