Order:
  1. The spectacle and the partisan.Jeff Kinkle - 2013 - In Eric Michael Wilson (ed.), The Dual State: Parapolitics, Carl Schmitt and the National Security Complex. Ashgate.
     
    Export citation  
     
    Bookmark  
  2.  14
    Correspondence: The Foundation of the Situationist International , Guy Debord, Los Angeles: Semiotext, 2009. All the King’s Horses, Michèle Bernstein, Los Angeles: Semiotext, 2008. 50 Years of Recuperation of the Situationist International, McKenzie Wark, New York: Princeton Architectural Press, 2008. [REVIEW]Jeff Kinkle - 2010 - Historical Materialism 18 (1):164-177.
    This review-essay looks at three texts from, or about, the early days of the Situationist International. The first volume of Guy Debord’s Correspondence reveals the SI’s internal discussions during their decisive first three years; Bernstein’s book represents an example of the continued relevance of the technique of détournement; while Wark’s text demonstrates both the breadth of the Situationist project and that, despite being continually mined by the academy, activists, the creative industries, and other more sinister recuperators, their work has not (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  3.  31
    Correspondence: The Foundation of the Situationist International , Guy Debord, Los Angeles: Semiotext, 2009. All the King’s Horses, Michèle Bernstein, Los Angeles: Semiotext, 2008. 50 Years of Recuperation of the Situationist International, McKenzie Wark, New York: Princeton Architectural Press, 2008. [REVIEW]Jeff Kinkle - 2010 - Historical Materialism 18 (1):164-177.
    This review-essay looks at three texts from, or about, the early days of the Situationist International. The first volume of Guy Debord’s Correspondence reveals the SI’s internal discussions during their decisive first three years; Bernstein’s book represents an example of the continued relevance of the technique of détournement; while Wark’s text demonstrates both the breadth of the Situationist project and that, despite being continually mined by the academy, activists, the creative industries, and other more sinister recuperators, their work has not (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark