This article examines literary, epigraphic and archaeological evidence for the Christian reidentification of statuary and reliefs as biblical scenes and protagonists, saints and angels. It argues that Christian identifications were promulgated, amongst others by local bishops, to make sense of imagery of which the original identity had been lost and/or was no longer meaningful. Three conditions for a new identification are discussed: the absence of an epigraphic label, geographical and/or chronological distance separating the statue from its original context of display, (...) and the presence of a specific attribute or characteristic that could become the prompt for reidentification. In their manipulation and modernization of older statuary, Christians showed a much greater appreciation of the statuary medium than generally assumed. (shrink)

Asia Minor witnessed a resurgence of construction and renovation activities in the Theodosian age, and in particular in the last twenty years of the 4th and the first twenty years of the 5th century AD. In fact, the typical Late Antique city, with its imposing fortification walls, heterogeneous street colonnades and agora porticoes, and monumental churches replacing earlier temples, came into being in these decades. A confrontation of the material remains with contemporaneous historical, political, social and religious events and changes, (...) would suggest that these urbanistic interventions were the result of unrelated factors arising in just a few decades’ time. Despite the absence of a deliberate Theodosian policy of urban renewal, the care for and energy invested in the cityscape does testify to continuance of aesthetic principles and representational concerns, not only at Constantinople, but also in the provincial capitals and even in the smaller cities of the region. (shrink)