This paper explores the theme of torture in the Colombian Truth Commission’s Final Report, focusing on its characterization of torture as a way of annulling a person’s identity. Drawing on Jean Améry’s approach, I argue that torture destroys the victim’s world and explore the further implications of this assertion. I begin by highlighting how the history of torture distorts legal and medical practices, masquerading as a quest for truth while exercising a farce of power, disintegrating the victim’s lived body. By (...) delving into Merleau-Ponty’s notion of “flesh,” I also explain how torture erodes the carnal trust that connects us to the world and enables proper communication. Consequently, torture results in an utter negation of the self and the world. In conclusion, I suggest that torture as understood as the destitution of a person’s world, can serve as a paradigm for comprehending the experiences of violence faced by victims in Colombia. (shrink)

Schönberg ha sido uno de los compositores más decisivos del pasado siglo. Su propuesta musical, su intento de buscar nuevos lenguajes para expresarla, su diagnóstico de la muerte de la música tonal, puede ser equiparado con la constatación nietzscheana de la ¿muerte de Dios¿, con la pérdida de todos los axiomas últimos e inamovibles que suministran valor al mundo y sentido a la existencia. Ambos desarrollaron una visión trágico-musical del mundo, que no pesimista; ambos se acercaron a la realidad desde (...) la afirmación y la inocencia propias del artista, experimentando sus aspectos más disonantes con desconocida alegría y serenidad. (shrink)