Technological dystopias incarnate transhumanist dreams of a this-worldly blissful immortality. Underlying these and others is a globalized technocratic paradigm, the loss of an overarching cosmic world view, rise in consumerism, a gnostic repudiation of the body, and a neo-pelagian aspiration to individualistic self-sufficiency. One response to these transhumanist dreams is to remind ourselves of how nature actually works, its origins, constrains, and future. Our relationship with nature spills over to how we feel standing face-to-face with pain and suffering. In this (...) article I reframe cancer as a journey of maintaining harmony with nature instead of a war against death that we are destined to lose. I argue that understanding the limits and constraints of the natural world help us come to peace with the reality of cancer, and perhaps find meaning in suffering. Instead of avoiding the inevitable at all costs, vulnerability and suffering have their own lessons. In contrast to trans humanist dreams, being human presents an opportunity to welcome the reality of imperfection, to be liberated from our addiction to control and excessive technological manipulation of nature, to draw together as a community, and to live the lessons of each stage of our finite life to its fullest. I hope this reflection, grounded in scientific literature and engaging with richly embodied medical humanities readings, can help us all change how we relate to cancer, from books to bench to biotech to bedside. (shrink)

The short monograph Creative Nature is a welcome contribution to the philosophy of nature that arose from interdisciplinary conversations between authors who are both up-to-date in the scientific literature and deeply grounded in the western intellectual tradition. The authors draw from modern physics, biochemistry, evolutionary biology, developmental biology and ecology to argue that nature is creative in the sense that an “open future” of our evolving world lies ahead. In this review essay, divided into three parts, we offer a chapter-by-chapter (...) summary covering Nature, Life, Change, Limits, Functions and Creativity. In conclusion, we offer some pedagogical possibilities. The second part proposes certain points for deeper reflection. (shrink)

The short monograph Creative Nature is a welcome contribution to the philosophy of nature that arose from interdisciplinary conversations between authors who are both up-to-date in the scientific literature and deeply grounded in the western intellectual tradition. In this second part of our review essay, we offer three themes for further reflection: seeing the whole: synergy between philosophy of nature and empirical studies, boundary questions: philosophy of nature as a mediator of dialogue between science and religion, and whether the book (...) helps defend a natural philosophy of form and finality. In conclusion, we recommend this book as a way to bridge science and philosophy and as a point of departure for theological reflection. The short monograph Creative Nature is a welcome contribution to the philosophy of nature that arose from interdisciplinary conversations between authors who are both up-to-date in the scientific literature and deeply grounded in the western intellectual tradition. In this second part of our review essay, we offer three themes for further reflection: seeing the whole: synergy between philosophy of nature and empirical studies, boundary questions: philosophy of nature as a mediator of dialogue between science and religion, and whether the book helps defend a natural philosophy of form and finality. In conclusion, we recommend this book as a way to bridge science and philosophy and as a point of departure for theological reflection. (shrink)

The short monograph Creative Nature (Francisco Javier Novo, Rubén Pereda, and Javier Sánchez-Cañizares. 2018. Naturaleza Creativa. Madrid: Rialp. ISBN: 978-84-321-4916-0. 196 pp. Paperback, €14.25) is a welcome contribution to the philosophy of nature that arose from interdisciplinary conversations between authors who are both up-to-date in the scientific literature and deeply grounded in the Western intellectual tradition. In this third and final part of the review essay, I take Creative Nature as a point of departure and develop a theological synthesis of (...) our relationship with the natural world. My approach to making sense of natural evil draws on the Aristotelian-Thomistic metaphysical tradition. I emphasize the wisdom of viewing nature as a whole and avoiding anthropomorphisms, in order to both come to peace with our common home and feel like we belong in a welcoming world. I draw from St. Paul’s teaching on cosmic redemption in his letters to the Colossians and Ephesians to shine the light of supernatural faith on our relationship with the natural world. This approach illustrates how a sound philosophy of nature and biblical interpretation are pivotal for faith–science dialogue.The short monograph Creative Nature (Francisco Javier Novo, Rubén Pereda, and Javier Sánchez-Cañizares. 2018. Naturaleza Creativa. Madrid: Rialp. ISBN: 978-84-321-4916-0. 196 pp. Paperback, €14.25) is a welcome contribution to the philosophy of nature that arose from interdisciplinary conversations between authors who are both up-to-date in the scientific literature and deeply grounded in the Western intellectual tradition. In this third and final part of the review essay, I take Creative Nature as a point of departure and develop a theological synthesis of our relationship with the natural world. My approach to making sense of natural evil draws on the Aristotelian-Thomistic metaphysical tradition. I emphasize the wisdom of viewing nature as a whole and avoiding anthropomorphisms, in order to both come to peace with our common home and feel like we belong in a welcoming world. I draw from St. Paul’s teaching on cosmic redemption in his letters to the Colossians and Ephesians to shine the light of supernatural faith on our relationship with the natural world. This approach illustrates how a sound philosophy of nature and biblical interpretation are pivotal for faith–science dialogue. (shrink)

In Wine from Raisins, Josef Svoboda, a Canadian arctic climate scientist, tells the story of his own life that encompassed 20th-century history and winds up facing the most important questions of the 21st century - questions about what we have learned from nature, what we have done to our environment and who we will become as we drift away from the natural world toward one immersed in our own technological creations. Readers of Wine from Raisins will glimpse the world through (...) the eyes of Svoboda, who combines scientific training with a contemplative gaze. (shrink)