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  1.  20
    The Date of De Rerum Natura1.G. O. Hutchinson - 2001 - Classical Quarterly 51 (1):150-162.
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  2.  24
    Read the instructions: Didactic poetry and didactic prose.G. O. Hutchinson - 2009 - Classical Quarterly 59 (1):196-.
  3.  13
    Appian the artist: Rhythmic prose and its literary implications.G. O. Hutchinson - 2015 - Classical Quarterly 65 (2):788-806.
    If we had no idea which parts of Greek literature in a certain period were poetry or prose, we would regard it as our first job to find out. How much of the Greek prose of the Imperial period is rhythmic has excited less attention; and yet the question should greatly affect both our reading of specific texts and our understanding of the whole literary scene. By ‘rhythmic’ prose, this article means only prose that follows the Hellenistic system of rhythm (...)
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  4.  39
    P. Köln 6 - M. Gronewald, B. Kramer, K. Maresch, M. Parca, C. Römer : Kölner Papyri , Band 6. Pp. x + 290; 40 plates. Opladen: Westdeutscher Verlag, 1987. Paper, DM 64. [REVIEW]G. O. Hutchinson - 1989 - The Classical Review 39 (2):356-358.
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  5.  21
    Deflected addresses: Apostrophe and space.G. O. Hutchinson - 2010 - Classical Quarterly 60 (1):96-109.
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  6.  38
    A Rumanian Commentary On The Septem. [REVIEW]G. O. Hutchinson - 1982 - The Classical Review 32 (2):134-136.
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  7.  34
    The Scholia on the Septem_- O. L. Smith: Scholia Graeca in Aeschylum quae extant omnia. Pars II, Fasc. 2: _Scholia in Septem adversus Thebas continens. Pp. xxix+423. Leipzig: Teubner, 1982. 129 M. [REVIEW]G. O. Hutchinson - 1984 - The Classical Review 34 (1):3-4.
  8. Go Hutchinson,'read the instructions: Didactic poetry and didactic prose'(vol 59, pg 196, 2009).G. O. Hutchinson - 2010 - Classical Quarterly 60 (1):288-288.
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  9.  23
    Le Poème élégiaque hellénistique P. Brux. inv. E. 8934 et P. Sorb. inv. 2254. Édition, commentaire et analyse stylistique. [REVIEW]G. O. Hutchinson - 1992 - The Classical Review 42 (2):483-484.
  10.  35
    Propertius III Paolo Fedeli: Properzio: Il libro terzo delle Elegie. (Studi e commenti, 3.) Pp. 787. Ban: Adriatica Editrice, 1985. L. 80,000. [REVIEW]G. O. Hutchinson - 1986 - The Classical Review 36 (02):234-235.
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  11.  23
    P. Köln 6. [REVIEW]G. O. Hutchinson - 1989 - The Classical Review 39 (2):356-358.
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  12.  25
    The Moralizing of the Elder Pliny. [REVIEW]G. O. Hutchinson - 1993 - The Classical Review 43 (1):61-63.
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  13.  11
    Friedrich Solmsen, R. Merkelbach, M. L. West: Hesiodi Theogonia, Opera et Dies, Scutum, Fragmenta Selecta. Editio altera cum appendice nova fragmentorum. Pp. xxix + 253. Oxford: Clarendon Press, 1983. £7.50. [REVIEW]G. O. Hutchinson - 1984 - The Classical Review 34 (2):309-309.
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  14.  29
    The Moralizing of the Elder Pliny Sandra Citroni Marchetti: Plinio il Vecchio e la tradizione del moralismo romano. (Biblioteca di 'Materiali e discussioni per l'analisi dei testi classici', 9.) Pp. 308. Pisa: Giardini, 1991. Paper. [REVIEW]G. O. Hutchinson - 1993 - The Classical Review 43 (01):61-63.
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  15.  30
    Friedrich Solmsen, R. Merkelbach, M. L. West: Hesiodi Theogonia, Opera et Dies, Scutum, Fragmenta Selecta. Editio altera cum appendice nova fragmentorum. Pp. xxix + 253. Oxford: Clarendon Press, 1983. £7.50. [REVIEW]G. O. Hutchinson - 1984 - The Classical Review 34 (02):309-.
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  16.  26
    The Prometheus Bound Mark Griffith: Aeschylus, Prometheus Bound. (Cambridge Greek and Latin Classics.) Pp. viii+319. Cambridge University Press, 1983. £20 (paper, £7.95). [REVIEW]G. O. Hutchinson - 1984 - The Classical Review 34 (01):1-3.
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  17.  19
    Propertius III.G. O. Hutchinson - 1986 - The Classical Review 36 (02):234-.
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  18.  22
    P. Köln.G. O. Hutchinson - 1989 - The Classical Review 39 (02):356-.
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  19.  80
    Rhythm, style, and meaning in Cicero's prose.G. O. Hutchinson - 1995 - Classical Quarterly 45 (02):485-.
    This article has a double purpose: to argue for some specific points on Cicero's rhythm, and to show how the significance of rhythm for literary understanding is larger than has perhaps been perceived. The piece is based on a reading of the whole of Cicero; but it will make only occasional reference to the letters. The question of rhythm in the letters is particularly involved, and it will be best handled elsewhere.
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  20.  8
    The Prometheus Bound. [REVIEW]G. O. Hutchinson - 1984 - The Classical Review 34 (1):1-3.
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  21.  7
    Rhythm, style, and meaning in Cicero's prose.G. O. Hutchinson - 1995 - Classical Quarterly 45 (2):485-499.
    This article has a double purpose: to argue for some specific points on Cicero's rhythm, and to show how the significance of rhythm for literary understanding is larger than has perhaps been perceived. The piece is based on a reading of the whole of Cicero; but it will make only occasional reference to the letters. The question of rhythm in the letters is particularly involved, and it will be best handled elsewhere.
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  22.  8
    House politics and city politics in Aristophanes.G. O. Hutchinson - 2011 - Classical Quarterly 61 (1):48-70.
  23.  5
    Read The Instructions: Didactic Poetry And Didactic Prose.G. O. Hutchinson - 2009 - Classical Quarterly 59 (1):196-211.
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  24.  4
    Propertius III. [REVIEW]G. O. Hutchinson - 1986 - The Classical Review 36 (2):234-235.
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  25.  7
    The Catullan Corpus, Greek Epigram, and the Poetry of Objects.G. O. Hutchinson - 2003 - Classical Quarterly 53 (1):206-221.
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  26.  4
    The Publication and Individuality of Horace’s Odes Books 1–3.G. O. Hutchinson - 2002 - Classical Quarterly 52 (2):517-537.
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