Thomism constitutes the only full-scale attempt to systematize an ontological theology which will ground literal statements; ie, its ontological method of ...

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Glory of the Lord: A Theological Aesthetics, III: Studies in Theological Style: Lay Styles. By HANS URS VON BALTHASAR. Translated by Andrew Louth, John Saward, Martin Simon, and Rowan Williams. Edited by John Riches. San Francisco : Ignatius Press, 1986. Pp. 524. In this third volume of the Ignatius Press translation of Herrlichkeit, von Balthasar examines the more significant developments within the tradition of theological aesthetics-as (...) ancient as Irenaeus-from the failure of " clerical " theology in the late medieval period down to the early twentieth century. He treats here of Dante, John of the Cross, Pascal, Hamann, Soloviev, and Peguy, finding in each of them a relatively freestanding and harmonious exploitation of themes emerging from the coincidence of free historicity and lucid rationality which is the splendor of the Christian revelation, of the forma Christi. Von Balthasar's interest in these "lay " theologians focuses upon their failure or success in providing an aesthetic resolution of the problems posed by the fact, no longer capable of being ignored or transmitted, of human solidarity. This solidarity, in sin and in redemption, challenges the very possibility of a theological aesthetics, for it requires an aesthetically satisfying integration of the divine justice and the divine mercy, of the human community as simul justus et peccator, redeemed and yet capable of damnation. This is finally the problem of reconciling divine and human freedom, and no theology which fails to face it is worthy of the name. The theologians under discussion in this volume did face it, however unsuccessfully for the most part, and their having done so constitutes their interest. Other issues provide a variable framework for the posing of this radically Christocentric question: the relation of grace and nature, the sinfulness or not of the Church, the tension between a Platonizing reading of the Pauline marital symbolism and the covenantal content of that symbolism, the debate with the Reformation's refusal of theological aesthetics, and a rationalist reduction of beauty to formal necessity. It is also notable that the aesthetic stress of these theologians upon the concrete individual tends to locate them in the Neoplatonic-Augustinian hermeneutic whose ontological expression is a universal hylemorphism, in which matter and form express the paradoxical dichotomies of being rather than its logical integration as in the Aristotelian-Thomist hermeneutic governed by the act-potency analysis. In fact the rejection of the 710 BOOK REVIEWS 711 sterility of the essentialist logic of the latter hermeneutic is a frequent,.even an insistent, theme among these theologians. Perhaps the identification of the fundamental problem of theological aesthetics as the aesthetic integration of our solidarity with the damned is most evident in the first and last authors discussed, but even in John of the Cross, whose refusal of historical content to the faith is almost Bultmannian, the emphasis upon the experiential dimension of our appropriation of the revelation is maintained, and therefore, at least by implication and in the breach, the question of the experiential or aesthetic synthesis of God's redemptive love with his justice is in issue. The theological problem which emerges with clarity in this profoundly instructive inquiry is more properly that of our human solidarity in sin and in redemption, in the first Adam and in the last. This emphasis is of course a Pauline inheritance, whose initial exploration by way of the theological aesthetics of Irenaeus is the beginning of Christian theological aesthetics, but the task of integrating the dialectic of our human solidarity, as at once in the sin and death caused by the disobedience of the first Adam, and in the redemption and resurrection worked by the obedience of the last Adam, constitutes now as then the permanent because fundamental question before any theology which would be responsive, as an aesthetics, to the "ancient beauty, forever new," whose aesthetic integration von Balthasar considers to be the single responsibility and therefore the hallmark of any adequate Christian theology. The perennial attempts to meet this responsibility have forced Christian theology to abandon the cosmological preoccupations inherited from Plato and Aristotle as the price of loyalty to the free historical context which is alone possible for theology whether it be labelled systematics or aesthetics... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:178 BOOK REVIEWS The Glory of the Lord: A Theological Aesthetics, II: Studies in Theological Style: Clerical Styles. By HANS URS VON BALTH.AS.AR. Translated by Andrew Louth, Francis McDonagh, and Brian McNeil, C.R.V. Edited by John Riches. San Francisco: Ignatius Press; New York: Crossroad, 1984. Pp. 362. This is the second volume of the translation of Hans Urs von Balthasar's H errlichkeit edited by Joseph Fessio and John Riches, (...) corresponding to the first part of the second volume of the original. The translation has been a joint project, and, if as a wsult it is more uneven than that of the first volume, with rare exceptions it is an accurate rendition into good English of the author's difficult German. The problems which the book presents to the reviewer do not stem from the translation, but from the subtlety of the theological viewpoint of the author himself-a viewpoint here manifest, if not in actu secundo, then in actu primo proximo, for this volume is given over to an examination of the thought of five " clerical " or "official " theologians (Irenaeus, Pseudo-Dionysius, Augustine, Anselm, and Bonaventure) whom von Balthasar has chosen because they exemplify that aesthetic integration of theological insight which the author considers to offer the sole means of avoiding the dead ends of systematization, these being those logical culs-de-sac into which the clerical theologians of the medieval schools, with the exception 'of a few such as Bonaventure, were carried by their mistaken devotion to a new project, typified by Thomism and dominant by the end of the thirteenth century, of enclosing the free unity and rational integrity of the truth revealed in Christ within the transcendentally necessary structures of the sterile immanentist rationalism which von Balthasar considers to be constitutive of all systematic thought. It would doubtless be possible to read this second volume with some profit, apart from any acquaintance with the first, but it would be to miss the context in which the theologies chosen for examination become luminous. In any event, this volume, like the first, is not to be read at a sitting, or merely once: the product of a lifetime's study, The Glory of the Lord must itself be studied, and the study should follow the sequence of the work itself. Von Balthasar's literary style is highly allusive, while his thought is at once subtle and dense; the combination imposes upon the reviewer a task of interpretation which can be undertaken only with some diffidence, yet the importance of. providing some sort of prolegomenon to the easily bewildering richness of this masterwork in order that it be made more ac- BOOK REVIEWS 179 cessible to the readership for whom its author and editors intend it must warrant the risk indissociable from such interpretation. At first hand, much of the reviewer's work is already done by the author in an introductory section, which in turn states the goal of the entire enterprise, that of providing concrete historical (" dramatic ") realizations of the " form" of Christ, " the glory of the Lord," which the first volume set forth as the norm of all valid theology. The theologies which do this are " beautiful," and by being so have a factual impact upon the history and culture of the faith. Von Balthasar then explains what is meant by theological "style:" the freedom of the theologian manifesting itself in giving a particular free but obedient form to the content of the revelation, whose Form is the glory of God. The author then recites the decline of "official " or " clerical " style of theology from the end of the thirteenth century, and points to the emergence of a new "lay " style in the later medieval period, a style which was to become normative in consequence of the effective abdication by the official scholastic theology from the properly theological task of seeking to understand ever more profoundly the ecclesial tradition of the revelation in Christ, in favor of the sterile academic commentary upon St. Thomas wherein scholasticism languished until the Enlightenment, and then from the neoThomist revival in the late nineteenth century until its final defeat by biblical scholarship in the recent past... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:308 BOOK REVIEWS lronioally, the retrieval of patristic theology together with the ecumenical emphasis has blunted some of the more "traditional" (i.e., Tridentine) Catholic accents within what used to be the most distinctively Catholic of the systematic treatises-church and sacraments. For example, while Power asserts the Eucharist as a real presence and propitiatory sacrifice (Tridentine themes), he does not stress them, in order to make room for an understanding (...) of the Eucharist as active celebration and sacramental memorial (Catholic themes older than Trent which are ecumenical at the same time) ; he also does not underscore the Tridentine teaching about the sacramental character of Orders and thus does not accentuate the difference between clergy and laity. Again, instead of offering a Tridentine critique of Luther's singular understanding of the fides sacramenti, especially as it applies to the sacra· ment of penance (according to the early Luther's erstwhile debate partner, Cardinal Cajetan, Luther's view of the fides sacramenti was the only thesis of his which could not be reconciled with the Catholic faith and in effect amounted to the founding of a new church), Duffy attempts to integrate its positive aspects within a Roman Catholic sacramentology. Systematic Theology is a work permeated by Catholic themes, even if some of them would have been handled differently by other Catholic authors and though some of them are also shared by Protestant authors. The two volumes are a worthwhile and solid introduction to and summary of the present state of Catholic theology in North America, at least from the centrist-liberal perspective, and will serve their intended audience very well. Domimican House of Studies Oakland, California GREGORY RoccA, O.P. The Glory of the Lord: A Theological Aesthetics. Vol. V: The Realm of Metaphysics in the Modern Age. By HANS URS VoN BALTHASAR. Translated by Oliver Davies, Andrew Louth, Brian McNeil C.R.V., John Saward and Rowan Williams. Edited by Brian McNeil C.R.V. and John Riches. San Francisco: Ignatius Press, 1991. Pp. 666. This volume of the English translation of Hans Urs von Balthasar's masterpiece comprises the latter half of Herrlichkeit, Band III/I, Im Raum der Metaphysik, the first half having been published as The Glory of the Lord, Volume IV: The Realm of Metaphysics in Antiquity. The BOOK REVIEWS 309 reader must remember that von Balthasar intends to denote by " metaphysics " the entire cultural complexus of myth, philosophy and religion, whose theological interest for von Balthasar is that it is seen to be the humanist anticipation of Glory, a grace-driven quest for God. This usage is of course unfamiliar to most students of the subject, and is one which moreover carries with it the anti-systematic presuppositions already noted in reviews of earlier volumes of The Glory of the Lord:* Von Balthasar looks upon " the realm of metaphysics " as that historical space in which the quest for human transcendence discovers that its goal is actual only in the Form of Christ, the Glory of God. The quest that is metaphysics is of itself a merely human project, and as such, is an illustration of human indigence. It is worth observing that von Balthasar's discussion of metaphysics, running to a thousand dense pages in the first (1965) edition of Band III/I: Im Raum der Metaphysik, has been considered dispensable to the unity of the Herrlichkeit by the editors of the French and Italian translations, both of which editions omit Band IH/L The English translation of its second part, here under review, makes that omission understandable, for in the first place its contribution to the whole is largely ancillary, a matter of illustration, and in the second, it is a work extraordinarily demanding of the reader-and if one may judge from the profusion of floating prepositions and consequent ambiguities in the English text, all too demanding of the translators as well. The sheer time required adequately to appreciate the prodigious learning of this massive study, and the patience required to keep its line of argument clear, are such as to defeat its purpose for most prospective readers. It is a work which, even more than the other volumes of The Glory... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Glory of the Lord: A Theological Aesthetics. Vol. VI: Theology: The Old Covenant. By HANS Uns VoN BALTHASAR. Trans. Brian McNeil, C.R.V. and Erasmo Leiva-Merikakis. Ed. John Riches. San Francisco: Ignatius Press, 1991. Pp. 443. In this penultimate-volume of The Glory of the Lord, von Balthasar sets forth a " biblical aesthetics " in which the manner of the emergence of the Glory of God in (...) the world of man is spelled out. He proceeds by examining the bewildering variety of the manifestations of God's Glory in the Old Testament, but always as unified in their historical convergence upon Jesus, the Christ, the final and definitive presence in history of the divine Glory in whom Word and Image, Messiah and Servant, Son of Man and Son of God, are at one. This manner of proceeding is little consonant with contemporary Catholic exegesis, which prefers to regard the Old Testament as a free-standing hook, and is rather fastidious about reading it as " literally " the prologue and the Sitz im Leben of the New. For such exegetes, the literal and the historical senses are entirely distinct, because of their methodological enlistment in the historical pessimism of the Enlightenment. Balthasar, of course, is not of their camp. Balthasar's mastery of Old Testament exegesis is on a par with the effortless command of the Western philosophical, theological, and literary tradition which he has displayed in the earlier volumes of this work. While he relies heavily upon von Rad, a glance at the index shows that his knowledge of Old Testament scholarship is based upon a wide reading, upon which he levies throughout the book with practiced ease. The exegetical method implicit in his analysis is the one employed by scholars such as de Lubac, Guillet, and Ligier; its classic Augustinian understanding of the free unity of history, and of the consequently free meaning of Old Testament and the New as fulfilled in the Kingdom of God, needs no apology. The currently common supposition that the " literal " sense of Scripture is that which an Enlightened positivism will permit needs only to be recognized to be rejected. In the opening pages of the Introduction Balthasar sets the theme which will dominate the book: the rationally irresolvable dialectical 139 140 BOOK REVIEWS tension between God and all that is not God, a tension inherent in the revelation of the Glory of God. In keeping with the emphasis of his earlier volumes, Balthasar is insistent upon the radical gratuity of the revelation of the Glory of God. The revelatory manifestation of God as God, who is beyond all perception, all knowing, all communication, and yet is communicated, perceived the more surely where the more veiled, and definitively revealed on the Cross. The revelation of God's Glory is of God as the Absolutely Other, as formless, and so as in tension with all form which would mediate the revelation. This communication, this mediation, is utterly ex nihilo; it relies upon no capacity in man, upon no natural process of spiritual development, and is unrelated to, because absolutely transcendent to, all human projects. Impossible to prepare for, the manifestation is constantly new, arising out of no prior possibility in man or his world, and responding to nothing in him which might make the revelation capable of anticipation. The paradox of God's self communication of his formless Glory is then beyond all utterance, and yet is uttered, given form: the final Form is, of course, the Christ. This is the basic datum, the ground upon which all theology rests, and is pure grace, a gift beyond all expectation, incapable of being imagined. All the preparatory Old Testament images finally fail. The paradox, the self communication of God who is beyond all utterance, yet is uttered, has its resolution only in the Form, the personal unity, of Christ. The revelation always at once transcends and assimilates the concrete historical forms by which it is mediated. The pagan materials are transformed by their historical deployment in the revelatione.g., the pagan myths of creation, of divine wars and marriages, the pagan wisdom-and in their deployment, they converge, hut not within the Old... (shrink)