Prudentius’s hymn on St. Eulalia suffers from an interpolated stanza : the carnifices’s flight caused by the dove, i.e. the soul, leaving the mouth of the dying saint is an exaggeration not found anywhere else in the ancient acts and legends of the Christian martyrs. It disturbs the poem’s composition and violates the tenderness of its poetical invention. The spurious lines, though patched up with material borrowed from the author, show some weakness in expression and offer the problem of differentiating (...) between satelles and lictor, a differentiation that was never made by the poet himself. The forged stanza was made up and included by an interpolator who wished to complete the poem’s storyline specifying a motive which had only been alluded to in the authentic poem. (shrink)

We hold a rather recent commentary on Prudentius, Peristephanon, which Pierre-Yves Fux provided in two volumes (2003 and 2013). The commentary proves that the text by Prudentius contains undissolved problems as to its criticism and exegesis. The following remarks refer to the poem on the martyr Romanus (perist. 10). It becomes clear that a part of the damage of the text that has been handed down to us is caused by conscious interference, which goes back to Late Antiquity.