Results for 'Bili︠a︡na Ĭordanova'

6 found
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  1.  53
    Islamic Philosophy and Artificial Intelligence: Epistemological Arguments.Biliana Popova - 2020 - Zygon 55 (4):977-995.
    This essay presents an analysis of different processes of machine learning: supervised, unsupervised, and semisupervised, through the prism of the epistemologies of several prominent Islamic philosophical schools. I discuss the way each school conceptualizes the ontological absolute (immortality, death, afterlife) and the way this shapes their respective epistemologies. I present an analysis of the different machine learning processes through the prism of the epistemological constructs of each of these philosophic traditions. I conclude with the argument that more scholars from the (...)
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  2.  5
    Nouvelles poétiques du corps amoureux en danse.Biliana Fouilhoux - 2013 - Nouvelle Revue d'Esthétique 10 (2):27-37.
    Résumé Si la danse est « un art qui s’exerce à partir de si peu de chose : matière de soi, organisation d’une certaine relation au monde », comment alors donner corps au corps amoureux? Comment les chorégraphes d’aujourd’hui abordent-ils cette expérience spécifique dans leur écriture, dans le travail commun avec les danseurs et à partir de quelles sources? Quelles sont les kinésies qui fondent l’expérience amoureuse, comment y accéder, comment les mettre en scène?
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  3. Making a Nation, Breaking a Nation: Literature and Cultural Politics in Yugoslavia. By Andrew Baruch Wachtel.D. Iordanova - 2001 - The European Legacy 6 (5):670-671.
     
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  4. Suitcase: Refugee Voices from Bosnia and Croatia. Edited by Julie Mertus, Jasmina Tesanovic, Habiba Metikos and Rada Boric.D. Iordanova - 2003 - The European Legacy 8 (2):238-239.
     
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  5.  64
    Dina Iordanova, David Martin-Jones and Belén Vidal (2010) Cinema at the Periphery.Rowena Santos Aquino - 2011 - Film-Philosophy 15 (2):106-112.
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  6.  38
    William Brown, Dina Iordanova and Leshu Torchin (2010) Moving People, Moving Images: Cinema and Trafficking in the New Europe.Alison Frank - 2011 - Film-Philosophy 15 (2):135-138.
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