Résumé Si la danse est « un art qui s’exerce à partir de si peu de chose : matière de soi, organisation d’une certaine relation au monde », comment alors donner corps au corps amoureux? Comment les chorégraphes d’aujourd’hui abordent-ils cette expérience spécifique dans leur écriture, dans le travail commun avec les danseurs et à partir de quelles sources? Quelles sont les kinésies qui fondent l’expérience amoureuse, comment y accéder, comment les mettre en scène?

This essay presents an analysis of different processes of machine learning: supervised, unsupervised, and semisupervised, through the prism of the epistemologies of several prominent Islamic philosophical schools. I discuss the way each school conceptualizes the ontological absolute (immortality, death, afterlife) and the way this shapes their respective epistemologies. I present an analysis of the different machine learning processes through the prism of the epistemological constructs of each of these philosophic traditions. I conclude with the argument that more scholars from the (...) Islamic philosophical tradition should engage in the debates about the development of artificial intelligence and its implications, given that many Muslim countries are among the leaders in this development and its application in everyday life. (shrink)