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  1.  6
    Chelovek v istorii russkoĭ filosofii: (k 60-letii︠u︡ Pavla Evgenʹevicha Shaposhnikova).A. A. Fedorov (ed.) - 2009 - Nizhniĭ Novgorod: Nizhegorodskiĭ gos. pedagogicheskiĭ universitet.
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  2.  7
    F. M. Dostoevsky - Russian Renaissance - Renaissance Human Myth.A. A. Fedorov - 2014 - Liberal Arts in Russia 3 (5):395.
  3. Istorii︠a︡ meni︠a︡: tradit︠s︡ii︠a︡ evropeĭskoĭ filosofskoĭ mistiki i stroitelʹstvo personalʹnykh mirov.A. A. Fedorov - 2006 - S.-Peterburg: Izd-vo S.-Peterburgskogo universiteta.
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  4.  6
    Psychological novel modifications and modern English prose.A. A. Fedorov - 2012 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 1 (1):14.
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  5.  11
    “The English Renaissance of art”. From W. Pater to O. Wilde. Cultural-aesthetic aspect.A. A. Fedorov - 2017 - Liberal Arts in Russia 6 (5):363.
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  6.  24
    “The silver age”, the crisis of humanism, the heritage of F. M. dostoevsky's art and Russian symbolism.A. A. Fedorov - 2014 - Liberal Arts in Russia 3 (4):246.
  7.  32
    The identifications of God in W. Golding’s novels.Yu A. Shanina & A. A. Fedorov - 2015 - Liberal Arts in Russia 4 (6):431.
    The comparative analysis of the W. Golding’s novels demonstrates that the identification of God is the central problem in the works of the famous English writer. Golding did not consider Divinity only in connection with Christian orthodoxy, rational view of the world. In his novels, God gets different embodiments according to the wide cultural tradition. The group of heroes is trying to determine Divinity by force of the religious ritual in such fables as Lord of the Flies, The Inheritors, Rites (...)
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