primo pallentis hiatuhaeret adhuc Orci, licet has exaudiat herbas,ad manes uentura semel.Erichtho the Thessalian witch is conducting a necromancy: she has selected a corpse, applied her potions to it and invoked the powers of the Underworld to release its soul to deliver the prophecy. She specifies that this is a recent corpse whose soul has hardly entered the Underworld; hence she describes it as ‘still hesitating at the entrance to pallid Orcus’ chasm’ and as “a soul which will join (...) the dead only once’. However, as Francken says, ‘“exaudire herbas” est absurda iunctura’. The problem lies in either noun or verb. The phrase must refer to Erichtho's magic; the choice is between spells and potion, herbas in the sense ‘Incantation’ is apparently unparalleled, but herbas as a reference to Erichtho's brew is perfectly acceptable, especially given the long description of her concoction of the revivifying potion and of her application of it to the corpse in the preceding lines, 6.667–84. Moreover, only a few lines later Lucan draws a contrast between uerba and herbae, spells and potion. If herbas is sound, suspicion falls on exaudiat; the occurrence less than ten lines earlier of the uncontroversial exaudite preces, 6.706, which suggests scribal repetition, strengthens the suspicion. (shrink)

primo pallentis hiatuhaeret adhuc Orci, licet has exaudiat herbas,ad manes uentura semel.Erichtho the Thessalian witch is conducting a necromancy: she has selected a corpse, applied her potions to it and invoked the powers of the Underworld to release its soul to deliver the prophecy. She specifies that this is a recent corpse whose soul has hardly entered the Underworld; hence she describes it as ‘still hesitating at the entrance to pallid Orcus’ chasm’ and as “a soul which will join (...) the dead only once’. However, as Francken says, ‘“exaudire herbas” est absurda iunctura’. The problem lies in either noun or verb. The phrase must refer to Erichtho's magic; the choice is between spells and potion, herbas in the sense ‘Incantation’ is apparently unparalleled, but herbas as a reference to Erichtho's brew is perfectly acceptable, especially given the long description of her concoction of the revivifying potion and of her application of it to the corpse in the preceding lines, 6.667–84. Moreover, only a few lines later Lucan draws a contrast between uerba and herbae, spells and potion. If herbas is sound, suspicion falls on exaudiat; the occurrence less than ten lines earlier of the uncontroversial exaudite preces, 6.706, which suggests scribal repetition, strengthens the suspicion. (shrink)

Timeless wisdom on death and dying from the celebrated Stoic philosopher Seneca "It takes an entire lifetime to learn how to die," wrote the Roman Stoic philosopher Seneca. He counseled readers to "study death always," and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated (...) by James S. Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out. Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life's final rite of passage, and its ability to liberate us from pain, slavery, or political oppression. Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide. (shrink)